Tom Huizenga

The Royal Concertgebouw Orchestra of Amsterdam, considered one of the world's top orchestras, has fired its conductor, Daniele Gatti, after two women publicly accused him of sexual misconduct. A statement published Thursday on the orchestra's website notes that it has "terminated the cooperation with chief conductor Daniele Gatti with immediate effect."

In June, NPR reported the Philadelphia Orchestra's admission that it had not programmed a single piece of music composed by a woman for its upcoming 2018-19 season. Jeremy Rothman, the orchestra's vice president of artistic planning, said at the time the omission was "obviously a blind spot and an oversight."

Fifty years ago, a group of six guys walked on a London stage to perform for the first time as The King's Singers. They were choral scholars and graduates from King's College, part of England's venerable Cambridge University.

Max Richter's music seems ready-made for movies – and that's not in any way a put down. The music is powerful on its own, but certain pieces take on new depth when paired with well-designed visuals.

The Women's March and #MeToo movement have helped raise the volume for women's voices across the country. But one place where women still struggle to be heard is in America's symphony halls. Take a look at which composers the top U.S. orchestras are performing in the upcoming season, and you will find some surprising disparities.

Back at the beginning of time, the human voice was the very first instrument. Probably close in second place were folks banging on stuff – in other words, percussionists. The quartet of gentlemen who form the Chicago-based Third Coast Percussion takes primordial pounding into a completely distinctive new league. To be sure, in this Tiny Desk performance, they'll play their sophisticated, modern marimbas and vibraphones, but be on the lookout for the subtleties of tuned cowbells and 3/4" galvanized steel pipes, like those found at the local hardware store.

The myriad stories about Swedish soprano Birgit Nilsson usually fall into two groups: the ones about her enormous, laser-focused voice and those about her rapier-sharp wit.

Matt Marks, a young composer, musician and founding member of the contemporary music ensemble Alarm Will Sound, died suddenly Friday, May 11. The group made an announcement Saturday on Twitter, with no cause of death given. Marks was 38.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

Arvo Pärt is one of the most popular, most performed living composers. He's beloved worldwide for his signature sound – a spacious, meditative music that tends to sound timeless.

But there's a lesser-known side to the 82-year-old Estonian's career. It's a story that can be traced in a new recording of Pärt's four Symphonies. The album is a musical journey spanning 45 years in fervently detailed performances by the NFM Wrocław Philharmonic, conducted by fellow Estonian Tõnu Kaljuste.

Vespers, the traditional late afternoon prayer service, gets an enigmatic twist in a new video by director James Darrah, premiered here, with music from Missy Mazzoli, performed by the spirited violinist Olivia De Prato. The track is from her new album, Streya.

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.


Cellist Clarice Jensen says the music on her debut solo album solicits "meditation and disorientation" — two words that, while not mutually exclusive, seem to suggest both a remedy for, and the reality of, a complicated world.

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