WWFM Sunday Opera with Michael Kownacky

Sundays at 3 pm

Enjoy world-class productions from the world of opera featuring the great singers past and present performing in the world's great opera houses.

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Journey to Seville with this week’s Sunday Opera (9/23 3:00 p.m.) and the LA Opera production of George Bizet’s “Carmen” featuring Ana Maria Martinez as the ill-fated title character.  Joining Martinez is Brandon Jovanovich as obsessed Don Jose, and Amanda Woodbury as the faithful Micaela.  Rounding out the quartet is Alexander Vinogradov as the egotistical bullfighter Escamillo.  James Conlon conducts the La Opera Chorus and Orchestra.  

There have always been operas based on actual events, and this week’s Sunday Opera (9/16 3:00 p.m.) is one of those.  “Bel Canto,” with a score by Jimmy Lopez and libretto by Nilo Cruz, uses the novel of the same name by Ann Patchett which, in turn, uses the 1996 – 1997 Japanese Embassy Crisis in Lima, Peru as its source.  The plot deals with a terrorist takeover of a party at the Embassy, and the relationships that develop during the four ensuing months.  

We’re continuing with our second series of operas from the Lyric Opera of Chicago and their production of Richard Wagner’s “Das Rheingold” on this week’s Sunday Opera (9/9 3:00 p.m.).  Sir Andrew Davis conducts the Lyric Opera Chorus and Orchestra to support a cast including Eric Owens as Wotan, Samuel Youn as Alberich, Stefan Margita as Loge, Tanja Ariane Baumgartner as Fricka, Okka von der Damerau as Erda, and as the giants, Fasolt and Fafner, Wilhelm Schwinghammer and Tobias Kehrer.  

Although a story about selfish desire for information and pleasure might sound like it could involve politics, this week’s Sunday Opera (9/2 3:00 p.m.) explores those themes in “Faust” by Charles Gounod from the Lyric Opera of Chicago.  Most people know a bit about the story of the bored Faust selling his soul to the Devil (Mephistopheles) in order to gain unlimited information/knowledge and unbridled hedonism resulting in the death of four innocent people and, depending upon the version, the damnation or salvation of Faust.

The Sunday Opera returns to Chicago this week (8/26 3:00 p.m.) for a bit of fiancée swapping from the minds of Lorenzo Da Ponte and Wolfgang Amadeus Mozart in “Cosi fan tutte, ossia la scuola degli amanti” which translates with care to “Women Are Like That or The School for Lovers” where a pair of soldiers bet that their fincees will be eternally faithful and set into motion a plan to test them by pretending to be amorous Albanians.  

The Lyric Opera of Chicago returns to the Sunday Opera (8/19 3:00 p.m.) with Hector Berlioz’s epic work “Les Troyens” for which he wrote the libretto himself based on Virgil’s retelling of the circumstances surrounding the Trojan War, the “Aeneid.”  Sir Andrew Davis conducts a cast that includes Christine Goerke as Cassandre, Susan Graham as Didon, Brandon Jovanovich as Enee, Lucas Meachem as Chorebe, Christian Van Horn as Narbal, and Okka von der Damerau as Anna.

The age-old story of good being undermined by corrupt forces and the forbidden question comes to us from the Lyric Opera of Chicago on this week’s Sunday Opera (8/12 3:00 p.m.) and their production of “Lohengrin” by Richard Wagner.  Knight of the Grail Lohengrin, son of Parsifal, is sent to Brabant to unify the people and protect the unjustly accused Elsa under the proviso that he does so anonymously and that no one must ever ask his name.  Of course, Elsa asks, and loses both Lohengrin and her life as a result.  

We’re staying in England for this week’s Sunday Opera (8/5 3:00 p.m.) and the Opera North production of Giuseppe Verdi’s “Un Ballo in Maschera.”  Without the censors of the 1850s, Antonio Somma’s libretto is set, as it was first intended, in Sweden, where the opera deals with the political machinations surrounding the assassination of King Gustavus III.  The cast includes Rafael Rojas as Gustavus, Adrienn Miksch as Amelia, Philip Rhodes as Count Anckarstroem (Renato), Patricia Bardon as the fortune teller Ulrika, and Tereza Georgyan as Gustavus’ page Oscar.  

Join us as we travel to Glasgow for this week’s Sunday Opera (7/29 3:00 p.m.) and the Scottish Opera’s production of “Eugene Onegin.”  Tchaikovsky’s glorious adaptation of Pushkin’s novel features Samuel Dale Johnson as the jaded Onegin, Peter Auty as the doomed Lensky, and Natalya Romaniw as the naïve Tatyana.  Also in the cast are Sioned Gwen Davies as Tatyana’s sister Olga, Alison Kettlewell as their mother Larina, Anne-Marie Owens as their servant Filipyevna, and Graeme Broadbent as Prince Gremin.  Stuart Stratford conducts.  

We’ll journey to the 17th century on this week’s Sunday Opera (7/22 3:00 p.m.) and a production of Claudio Monteverdi’s “The Return of Ulysses” in a joint production of London’s Roundhouse and the Royal Opera.  This tale of Ulysses’ return to Penelope and the defeat of her treacherous suitors after his arduous journey  features Roderick Williams in the title role and Christine Rice as his Penelope, and they’re joined by David Shipley as Antinous, Catherine Carby as Minerva, Samuel Boden as Telemachus, and Susan Buckley as Eurycleia.  

We’re continuing with productions from England’s Royal Opera House at Covent Garden on this week’s Sunday Opera (7/15 3:00 p.m.) with their production of Giuseppe Verdi’s “Macbeth.”  Shakespeare’s tragic tale of unbridled ambition features Zeljko Lucic as Macbeth, Anna Netrebko as the tortured Lady Macbeth, Ildebrando D’Arcangelo as Banquo, Konu Kim as Malcolm, and Yusif Eyvazov as Macduff with Antonio Pappano leading the Orchestra and Chorus of the Royal Opera House.  

The Sunday Opera begins a series of productions from the UK this week (7/8  3:00 p.m.) with the world premiere of George Benjamin’s “Lessons of Love and Violence” which debuted at the Royal Opera House in May of this year.  

Join us as we travel to 17th century England this week (7/1 3:00 p.m.) in a production of Vincenzo Bellini’s “I Puritani” from the Lyric Opera of Chicago.  Set during the English Civil War in 1640, the story deals with lovers caught in a web of intrigue, the sense of duty, and unrelenting loyalties.  The cast includes Albina Shagimuratova, Lawrence Brownlee, Adrian Sampetrean, and Lauren Decker with Enrique Mazzolla conducting.  

The Sunday Opera continues with the 2018 season from the Lyric Opera of Chicago this week (6/24 3:00 p.m.) with Giacomo Puccini’s adaptation of a 1762 work by Count Carlo Gozzi, “Turandot.”  Originally, this story of a Chinese princess who asks riddles and beheads anyone who seeks her hand was, in turn, based on a 12th century Persian work, one of seven that corresponds with the seven days of the week, colors, and then known planets, was originally about “Turan-Dokht” or the daughter of Turan, a Russian or central Asian princess.  

We’ll travel to Sri Lanka for this week’s Sunday Opera (6/17 3:00 p.m.) and a production of Georges Bizet’s “The Pearl Fishers” from the Chicago Lyric Opera.  This story of desire, friendship, and sacrifice which includes one of the most famous and beloved tenor/baritone duets, “Au fond du temple saint,” stars Mariusz Kwiecien, Matthew Polenzani, and Andrea Silvestrelli with Sir Andrew Davis conducting.  

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