The Dress Circle with Ted Otten and Michael Kownacky

Sundays at 7 pm

With music drawn from their personal and vast music collection, our co-hosts feature the best of Broadway, stage music from around the world, film scores, and the performing arts. 

We never like to do this type of a program, but we felt compelled to remember another wonderful performer whom we lost far too early on this week’s Dress Circle (10/14 7:00 p.m.) as we look back at the career of Marin Mazzie who passed away after a three-year battle with ovarian cancer on September 13 at the age of 57.  For us, we’ll always remember her iconic performance as Mother in “Ragtime” where she stopped the show with her incredibly moving performance of “Back to Before.”   We were also thrilled to see her spirited performance as Lilli Vanessi / Katharine in the 1999 revival of “Kiss Me Kate.”  These two shows alone are testament to her versatility and power.  

Celebrate October on this week’s Dress Circle (10/7 7:00 P.M.) as we showcase our regular  survey of shows that opened on Broadway this month.  The program will feature music from Rodgers’ and Hammerstein’s forgotten gem “Allegro” as part of a varied menu that includes music from Sting’s musical memory “The Last Ship.”  

We lost Neil Simon on August 26th and we wanted to celebrate the life of this brillian playwright who brought joy to theatre audiences around the world for over five decades on this week’s Dress Circle (9/30  7:00).  Simon is probably best known for his plays and comedies like The Brighton Beach Trilogy and “The Odd Couple,” but he’s also a perfect subject for The Dress Circle since he penned several books for musicals.  

We’re happy to be celebrating the career of a very special performer on this week’s Dress Circle (9/23 7:00 p.m.) as we present a program in our “So Far” series dedicated to the work of Audra McDonald.  Join us for selections from some of her stage appearances in musicals like “Carousel,” “Ragtime,” “Marie Christine,” “110 in the Shade,” and “Lady Day at Emerson’s Bar and Grill.”  Her work in television musicals includes “The Sound of Music” and “Annie,” and we’ll also look at some of the studio cast recordings and concert work in “Wonderful Town,” “Allegro,” and “Dreamgirls.”  

There have been many musical dynasties over the years, and we’ll be looking at one of them on this week’s Dress Circle (9/16 7:00 p.m.) when we look at the dynasty that began with Richard Rodgers, continued with his daughter Mary Rodgers, and is currently represented by Mary’s son, Adam Guettel.  From Richard, we’ll hear a medley of many of his familiar songs arranged by Peter Nero.  To represent Mary’s work, we’ll look at her musicals “Once Upon a Mattress” and “The Mad Show” along with a song she contributed to “Working.”  

This week’s Dress Circle (9/9 7:00 p.m.) is celebrating the stage and screen career of Andre Previn who came to the United States at the age of ten to escape Nazi persecution.  His remarkable seven-decade career began in 1948 and has encompassed all manner of musical genre from classical to jazz to Broadway and Hollywood.  

We’re welcoming September with this week’s Dress Circle (9/2  7:00 p.m.) and our monthly program featuring some of the shows that opened on Broadway this month which always offers us a wonderfully eclectic playlist.  The shows we’re featuring include well-known favorites like “Gypsy” and “Fiddler on the Roof” as well as forgotten gems like “The Chocolate Soldier,” “Irma La Douce,” and “Magdalena.”  

We’re continuing with our celebration of Leonard Bernstein on this week’s Dress Circle (8/26  7:00 p.m.) by looking at two of his scores.  One is the “Mass” that he wrote with Stephen Schwartz that opened The Kennedy Center in Washington in 1971 with selections from the original 1971recording as well as the 2004 recording.  Confusing to many, this wonderful celebration is less an actual mass than it is a lesson about finding sanity out of chaos which is so desperately needed today.  

The first part of our centennial celebration of the life and career of Leonard Bernstein is this week’s Dress Circle (8/19 7:00 p.m.).  Although he is probably best known for his work in the classical music realm, we’ll be focusing on his works for the stage, and this first program will look at a variety of his musicals and will feature performances from “On the Town” (1944), “Peter Pan" (1950), “Wonderful Town” (1953), “Candide” (1956), and “West Side Story” (1957).  For this program, we’ll be featuring original cast, revival cast, and studio cast recordings.  

Put on your dancing shoes!  No, Julian Marsh is not doing a show; they’re doin’ choreography on this week’s Dress Circle (8/12 7:00 p.m.)  There was a time when just about every show included a ballet or extended dance scenes, and we’ll be sampling some of them this week.  Some of those dances include the “Sadie Hawkins’ Day Ballet” from “Li’l Abner,” the “Halloween Interlude” Dance from “A Tree Grows in Brooklyn,” the “Twins Ballet” from “The Boys from Syracuse,” and from “Make a Wish,” “The Sale Ballet.”  

You may not know the composer’s name on this week’s Dress Circle (8/5 7:00 p.m.), but you’re sure to know many of the songs penned by the wonderful James “Jimmy” McHugh.  With lyricists like Dorothy Fields, Harold Adamson, and Ted Koehler, McHugh’s prolific career spanned three decades with songs for the stage and screen.  Join us as we celebrate the career of this wonderful composer with songs that appeared in the films “Higher and Higher” and “Bring on the Girls” as well as the revue of his music entitled “Lucky in the Rain.”  

We’ll be looking at July and August together for our show openings on this week’s Dress Circle (7/29 7:00 p.m.) since Broadway openings slow during the summer months with the exception of this year where there will be no fewer than four new musicals opening.  However, since they haven’t opened yet, we don’t have any music from them and won’t be mentioning them.  The “summer shows” we will be mentioning include the 1997 revival of “1776,” the riotous revue “Two on the Aisle,” one of Langston Hughes’ Broadway musicals “Simply Heavenly,” and the high-energy “Hairspray.”  

The Dress Circle will shine a spotlight on Glenn Close this week (7/22 7:00 p.m.) in performances which might be unfamiliar to many, her outings in Broadway musicals with selections from the Richard Rodgers and Martin Charnin musical about Henry VIII entitled “Rex” where she played Princess Mary, as Charity Barnum in Cy Coleman and Michael Stewart’s “Barnum,” and her much lauded performance as Norma Desmund in “Sunset Boulevard” by Andrew Lloyd Webber, Don Black, and Christopher Hampton.  

We looked at music of George Gershwin last week on The Dress Circle, and this week (7/15 7:00 p.m.) we’ll concentrate on lyrics by his brother Ira but with composers other than George.  Those composers supplying the music for Ira include Kurt Weill, who got Ira to begin writing again after George’s death, Harold Arlen, Harry Warren, and Burton Lane.  

The Dress Circle is celebrating the life of George Gershwin this week (7/8  7:00 p.m.) as we approach the 81st anniversary of his untimely death on July 11, 1937 with a program of his lesser-known works with his brother Ira as well as with other lyricists.  Included will be songs from shows like 1925’s “Tip-Toes,” “Sweet Little Devil” from 1924, and “Primrose” written expressly for the London stage in 1924.  Although they were all well received, they have been forgotten.  

It's all about cinema nostalgia on this week’s Dress Circle (7/1  7:00 p.m.) as we sample some popular artists singing theme songs from some memorable films.  The vocalists include Doris Day, Cliff Edwards, Johnny Mathis, Peggy Lee, Bob Hope, and Mario Lanza, and some of film themes are “Dear Heart,” “Wild Is the Wind,” “Golden Earrings,” “Love Is a Many Splendored Thing,” “Because You’re Mine,” and “Three Coins in the Fountain” just to name a few.  Don’t forget to look for us on Facebook as well as our own website at www.DCSRO.com for more information. 

We’re a bit late for Mother’s and Father’s Days, but we’re early for Grandparent’s Day, and it’s really never too late to celebrate “parents” and caregivers in any form.  We’ll do that on The Dress Circle this week (6/24 7:00 p.m.) as we turn to the musicals to take a look at some stage parents from shows like “Honk!”, “Falsettoland,” “Aida,” “Seussical,” “Earnest in Love,” and “Ragtime” with special appearances by Beniamino Gigli and Miss Bette Davis.  Join us to see if it’s true that “Parents Are People too.” 

The delightful stage output of Marvin Hamlisch is the subject of this week’s Dress Circle (6/17  7:00 p.m.)  as we look at songs from familiar shows like “A Chorus Line” (with songs from the Italian and Japanese original cast recordings), “They’re Playing Our Song” and “The Good-bye Girl” (both Broadway and West End casts), and “The Sweet Smell of Success.”  

This week’s Dress Circle (6/10) will begin at 8:00 because of the length of the opera.  Join us as we take a trip to the West End as we look at five “Recent and Current London Musicals.”   We’ll be sampling songs from “Calendar Girls,” a moving musical based on the charming film of the same name and starring some British favorites such as Claire Moore and Joanna Riding.  A revival of “42nd Street” is currently appearing at Drury Lane, and the original cast included Sheena Easton as Dorothy Brock.  

June may not be bustin’ out all over, but it is certainly wet, and as we enter the month of June, this week’s Dress Circle (6/3 7:00 p.m.) will take a look at some of the shows that have opened this month.  The “summer” months are notoriously lean for Broadway openings, and June is the month of the Tony Awards, so shows generally don’t open then since they would have to be remembered for an entire year before voting occurs.  In any case, we will hear songs from musicals including “Godspell,” “I’m Getting My Act Together and Taking It on the Road,” “Seventeen,” the 1993 revival of “Chicago,”

An “all-star” version of Stephen Sondheim’s “A Funny Thing Happened on the Way to the Forum” to welcome the upcoming Princeton Festival production will air on this week’s Dress Circle (5/27 7:00 p.m.).   We’ll be playing a large percentage of this delightful score using the original Broadway cast, original London cast, the 1996 Broadway revival, and the film if time permits.  

Among the many definitions of a “moment,” the first is “a minute portion or point of time: instant,” and on this week’s Dress Circle (5/20 7:00 p.m.), we’ll be looking at a series of “Moment Moments.”  We were surprised by how important moments are in musicals, and we had many shows from which to choose songs.

Listeners are in store for an hour of wonderful singing on this week’s “Dress Circle”  (5/13  7:00 p.m.) when Dinah Shore is featured singing songs from Broadway and Hollywood including songs from her film outing with Alan Jones and Robert Merrill entitled “Aaron Slick from Punkin Crick." 

There may be May flowers and all that, but this week’s Dress Circle (5/6 7:00 p.m.) has very little to do with them because we’re focusing on the shows that opened in or on their way to New York.   Our list includes “The Baker’s Wife,” a Stephen Schwartz show that closed on its way to Broadway, the legendary “Fantasticks,” and “The Most Happy Fella,” Frank Loesser’s monumental romantic musical.  We’re also including “Passion,” Stephen Sondheim’s chamber opera about a different kind of love, and Lena Horne’s one-woman show that wowed audiences for over 300 performances.   

A fringe benefit of the CD era is the theme for this week’s Dress Circle (4/29 7:00 p.m.).  The standard LP could hold about 44 minutes of music, so when CDs arrived that could hold 80 minutes, record labels were in a quandary:  Should they just ignore the remaining time or try to fill it with something?   We’re very happy that they filled it with something that those of us who love musicals are thrilled to have:  Bonus tracks – alternate takes, cut songs, songs left off of the LP because of time constraints, demo recordings, and interviews with stars and creators.  

With all of the negative news flying about, most of us need a “happy place” to which we can escape to hide from the madness.  This week’s Dress Circle (4/22  7:00 p.m.) will offer up some happy places that are found in a variety of musicals.   Join us as we head to “Never Never Land” with Peter Pan, “My Own Little Corner” with Cinderella, and “Loveland” from “Follies.”   

Two words that are dear to the hearts of many people are Walt Disney, and on this week’s Dress Circle (4/15  7:00 p.m.) we’ll hear some of the music associated with Disney films but not by the originators in a show called Everybody Does Disney.  For instance, from “Snow White and the Seven Dwarfs,” we’ll hear “Heigh-Ho,” but it will be performed by The Shanghai Quartet.  “Bibbidi-Bobbidi-Boo” from “Cinderella” gets an “Andrews Sisters” treatment by Michelle Nicastro.  Louis Armstrong will stop by to perform “The Bear Necessities” from “The Jungle Book.  

If you’re a fan of musicals written expressly for television, we’ll have four more for you on this week’s Dress Circle (4/8 7:00 p.m.).  Our first seems be on its way to a Broadway production, but it had its start on the cult-favorite television series “Smash.”  The musical is titled “Bombshell” by Marc Shaiman and Scott M. Riesett.  

There will be no fooling on this week’s Dress Circle (4/1 7:00 p.m.) when we once again take a look at some of the shows that opened this month.  A few of those “shows of April” are “Beauty and the Beast,” the current smash “Anastasia,” “Carousel,” “Hallelujah, Baby!”, “The Secret Garden,” and “She Loves Me” along with several more.  Join us for another diverse evening of great music from Broadway.  As always, thank you for being a part of our musical family.  

This weekend, many people will be celebrating Palm Sunday, and The Dress Circle will join in the celebration with an all-star production of the Andrew Lloyd Webber / Tim Rice musical “Jesus Christ Superstar” (3/25  7:00 p.m.)  Beginning as a concept album in 1970, the first authorized concert version of the material was seen in Pittsburgh, PA in July of 1971 with the world premier staged presentation arriving on Broadway in October of 1971.  It would have its West End Premiere in 1972.  

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