Broadway

Joan Marcus


Entering the New Year is a daunting thought for many, but on this week’s Dress Circle (12/30 7:00 p.m.) we’re going to try to help with some words of encouragement from the musicals.  With that in mind, “Don’t Be Anything Less Than Everything You Can Be” because “You Never Know What You Can Do Until You Try.”  “Keep a Stiff Upper Lip” as you “Take the Moment” because “Every Day Comes Something Beautiful.”  “You’ve Got to Look Out for Yourself” and “Keep a Stiff Upper Lip” so that you can “Make Someone Happy.”  Oh, just “Come Out of the Dumpster” and “Get Happy”!

Photo by Deen van Meer


The work of Bjorn Ulvaeus and Benny Andersson will be showcased on this week’s Dress Circle (12/16 7:00 p.m.) as we look at their musical written with lyricist Tim Rice that mixes personal relationships and political intrigue played against the background of the international chess tournament.  “Chess” began as a concept album in 1984 and made it to the London stage two years later where it stayed until 1989.  It crossed the Atlantic to Broadway in 1987 but had a much shorter stay of only 68 performances.  

Photo by Joan Marcus


After EVITA, Andrew Lloyd Webber wanted to work on something a bit less massive, and on this week’s Dress Circle (12/2 7:00 p.m.), we’ll look at that smaller show’s beginnings on TV and growth into a full evening for the stage.  The musical is “Tell Me on a Sunday” and tells the story of a British girl’s relationship adventures in the United States.  The television special starred Marti Webb, and she also appeared in the West End production when it became “Song and Dance” with the addition of Webber’s “Variations” which he wrote for his cellist brother Julian.  

Photo by Paul Kolnik


Photo by Peter Cunningham


The composing team of Harvey Schmidt and Tom Jones enjoyed a collaboration that lasted over 60 years but are still probably best known for only one of their shows, "The Fantasticks."  We thought we'd remedy that on this week’s Dress Circle and take a look at some of their work which may not be that familiar from shows such as the Julius Monk revue “Demi-Dozen.”  

Photo by Matthew Murphy


Teaching has its side effects, and one of those is the need for “calendar art”!  The Dress Circle program this week (11/18 7:00 p.m.) is an off-shoot of that need as we present a Thanksgiving program – of sorts.  In the past, we’ve looked at family, food, and “thanks” as themes, but this time, we wanted to share with you some of the theatergoing events for which we’ve been thankful over the years.  

Photo by Matthew Murphy


Our years teaching English have gotten the better of us on this week’s Dress Circle (11/11 7:00 p.m.), and we’ve turned to the world of literature for our theme as we look at Emily Bronte’s 1847 romantic tragedy “Wuthering Heights” through stage and screen adaptations.  Join us for selections from Alfred Newman’s score for the film as well as an aria from Bernard Hermann’s opera.  

Photo by Peter Cunningham


… And suddenly, it’s November!  As usual, this week’s Dress Circle (11/4 7:00 p.m.) will celebrate the new month by looking at some of the shows that opened on Broadway in November, and we have quite a hefty list from which to choose.  Some of the shows we’ve chosen, which span over 114 years, include the forgotten Rodgers and Hammerstein musical based on a novella by John Steinbeck entitled “Pipe Dream,” the big Tony Award winner from last year by David Yazbeck, “The Band’s Visit,” and the Elton John / Tim Rice massive stage hit, “The Lion King.”  

Brigitte Lacombe


Welcome to December!  As usual, we’ll be starting the month with a selection of songs from shows that opened in New York in December on this week’s Dress Circle (12/2 7:00 p.m.).   We’ll be sampling material from over 100 years of Broadway magic that begins with Victor Herbert’s 1906 operetta “Mlle. Modiste” and ends with 2017’s “SpongeBob SquarePants.”  Along the way, there’ll be songs from “Drood,” “City of Angles,” “Kiss Me Kate,” “Show Boat,” and “The Music Man” as well as some other familiar works.  It’s all about Broadway openings this week on The Dress Circle! 


Audra McDonald will be featured again on this week’s Dress Circle (10/28 7:00 p.m.) as we take a second look at her career “So Far.”  This time, we’ll be including selections from her performance as Bess in the 2012 revival of “Porgy and Bess.”  We’ll also be sampling songs from several of her solo CDs by the likes of Rodgers and Hart, McHugh and Fields, Kern and Wodehouse, Arlen and Gershwin, and Bernstein and Sondheim to name a few.  It’s a celebration of one of Broadway’s most delightful leading ladies, so join us for a happy hour in the Dress Circle.

The Dress Circle didn’t make it back to school this year, but we’re going remedy that in a way on this week’s program (10/21 7:00 p.m.) as we do what most students do the first few weeks of school, “Let’s Revue.”  We’ve never done a show in our 35 plus years that looks solely at revues, and we thought it was about time.  We’ll begin with one of the granddaddies of all revues, the “Ziegfeld Follies of 1919” with John Steele singing Irving Berlin’s “A Pretty Girl Is Like a Melody,” a song that became synonymous with the “Follies.”  

Yucel Moran


We never like to do this type of a program, but we felt compelled to remember another wonderful performer whom we lost far too early on this week’s Dress Circle (10/14 7:00 p.m.) as we look back at the career of Marin Mazzie who passed away after a three-year battle with ovarian cancer on September 13 at the age of 57.  For us, we’ll always remember her iconic performance as Mother in “Ragtime” where she stopped the show with her incredibly moving performance of “Back to Before.”   We were also thrilled to see her spirited performance as Lilli Vanessi / Katharine in the 1999 revival of “Kiss Me Kate.”  These two shows alone are testament to her versatility and power.  

Joan Marcus


Celebrate October on this week’s Dress Circle (10/7 7:00 P.M.) as we showcase our regular  survey of shows that opened on Broadway this month.  The program will feature music from Rodgers’ and Hammerstein’s forgotten gem “Allegro” as part of a varied menu that includes music from Sting’s musical memory “The Last Ship.”  

Joan Marcus


We lost Neil Simon on August 26th and we wanted to celebrate the life of this brillian playwright who brought joy to theatre audiences around the world for over five decades on this week’s Dress Circle (9/30  7:00).  Simon is probably best known for his plays and comedies like The Brighton Beach Trilogy and “The Odd Couple,” but he’s also a perfect subject for The Dress Circle since he penned several books for musicals.  

Joan Marcus

"Bernhardt/Hamlet" is a Broadway world premiere about actress Sarah Bernhardt's decision at the end of the 1800s to take on the role of Hamlet. Hear theater critic Howard Shapiro's review of this play on In a Broadway Minute, Friday (9/28 at 8 am) and Saturday (9/29 at 10 am).

Photo by Joan Marcus


There have been many musical dynasties over the years, and we’ll be looking at one of them on this week’s Dress Circle (9/16 7:00 p.m.) when we look at the dynasty that began with Richard Rodgers, continued with his daughter Mary Rodgers, and is currently represented by Mary’s son, Adam Guettel.  From Richard, we’ll hear a medley of many of his familiar songs arranged by Peter Nero.  To represent Mary’s work, we’ll look at her musicals “Once Upon a Mattress” and “The Mad Show” along with a song she contributed to “Working.”  

This week’s Dress Circle (9/9 7:00 p.m.) is celebrating the stage and screen career of Andre Previn who came to the United States at the age of ten to escape Nazi persecution.  His remarkable seven-decade career began in 1948 and has encompassed all manner of musical genre from classical to jazz to Broadway and Hollywood.  

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