musicals

Photo by Deen van Meer


The composing team of Harvey Schmidt and Tom Jones enjoyed a collaboration that lasted over 60 years but are still probably best known for only one of their shows, "The Fantasticks."  We thought we'd remedy that on this week’s Dress Circle and take a look at some of their work which may not be that familiar from shows such as the Julius Monk revue “Demi-Dozen.”  

Photo by Matthew Murphy


The Dress Circle didn’t make it back to school this year, but we’re going remedy that in a way on this week’s program (10/21 7:00 p.m.) as we do what most students do the first few weeks of school, “Let’s Revue.”  We’ve never done a show in our 35 plus years that looks solely at revues, and we thought it was about time.  We’ll begin with one of the granddaddies of all revues, the “Ziegfeld Follies of 1919” with John Steele singing Irving Berlin’s “A Pretty Girl Is Like a Melody,” a song that became synonymous with the “Follies.”  

Joan Marcus


We lost Neil Simon on August 26th and we wanted to celebrate the life of this brillian playwright who brought joy to theatre audiences around the world for over five decades on this week’s Dress Circle (9/30  7:00).  Simon is probably best known for his plays and comedies like The Brighton Beach Trilogy and “The Odd Couple,” but he’s also a perfect subject for The Dress Circle since he penned several books for musicals.  

Photo by Joan Marcus


We’re welcoming September with this week’s Dress Circle (9/2  7:00 p.m.) and our monthly program featuring some of the shows that opened on Broadway this month which always offers us a wonderfully eclectic playlist.  The shows we’re featuring include well-known favorites like “Gypsy” and “Fiddler on the Roof” as well as forgotten gems like “The Chocolate Soldier,” “Irma La Douce,” and “Magdalena.”  

Photo by Matthew Murphy


We’re continuing with our celebration of Leonard Bernstein on this week’s Dress Circle (8/26  7:00 p.m.) by looking at two of his scores.  One is the “Mass” that he wrote with Stephen Schwartz that opened The Kennedy Center in Washington in 1971 with selections from the original 1971recording as well as the 2004 recording.  Confusing to many, this wonderful celebration is less an actual mass than it is a lesson about finding sanity out of chaos which is so desperately needed today.  

Library of Congress


You may not know the composer’s name on this week’s Dress Circle (8/5 7:00 p.m.), but you’re sure to know many of the songs penned by the wonderful James “Jimmy” McHugh.  With lyricists like Dorothy Fields, Harold Adamson, and Ted Koehler, McHugh’s prolific career spanned three decades with songs for the stage and screen.  Join us as we celebrate the career of this wonderful composer with songs that appeared in the films “Higher and Higher” and “Bring on the Girls” as well as the revue of his music entitled “Lucky in the Rain.”  


Victor Nechay/ProperPix


The Dress Circle will shine a spotlight on Glenn Close this week (7/22 7:00 p.m.) in performances which might be unfamiliar to many, her outings in Broadway musicals with selections from the Richard Rodgers and Martin Charnin musical about Henry VIII entitled “Rex” where she played Princess Mary, as Charity Barnum in Cy Coleman and Michael Stewart’s “Barnum,” and her much lauded performance as Norma Desmund in “Sunset Boulevard” by Andrew Lloyd Webber, Don Black, and Christopher Hampton.  

The Dress Circle is celebrating the life of George Gershwin this week (7/8  7:00 p.m.) as we approach the 81st anniversary of his untimely death on July 11, 1937 with a program of his lesser-known works with his brother Ira as well as with other lyricists.  Included will be songs from shows like 1925’s “Tip-Toes,” “Sweet Little Devil” from 1924, and “Primrose” written expressly for the London stage in 1924.  Although they were all well received, they have been forgotten.  


It's all about cinema nostalgia on this week’s Dress Circle (7/1  7:00 p.m.) as we sample some popular artists singing theme songs from some memorable films.  The vocalists include Doris Day, Cliff Edwards, Johnny Mathis, Peggy Lee, Bob Hope, and Mario Lanza, and some of film themes are “Dear Heart,” “Wild Is the Wind,” “Golden Earrings,” “Love Is a Many Splendored Thing,” “Because You’re Mine,” and “Three Coins in the Fountain” just to name a few.  Don’t forget to look for us on Facebook as well as our own website at www.DCSRO.com for more information. 

We’re a bit late for Mother’s and Father’s Days, but we’re early for Grandparent’s Day, and it’s really never too late to celebrate “parents” and caregivers in any form.  We’ll do that on The Dress Circle this week (6/24 7:00 p.m.) as we turn to the musicals to take a look at some stage parents from shows like “Honk!”, “Falsettoland,” “Aida,” “Seussical,” “Earnest in Love,” and “Ragtime” with special appearances by Beniamino Gigli and Miss Bette Davis.  Join us to see if it’s true that “Parents Are People too.” 

The delightful stage output of Marvin Hamlisch is the subject of this week’s Dress Circle (6/17  7:00 p.m.)  as we look at songs from familiar shows like “A Chorus Line” (with songs from the Italian and Japanese original cast recordings), “They’re Playing Our Song” and “The Good-bye Girl” (both Broadway and West End casts), and “The Sweet Smell of Success.”  

This week’s Dress Circle (6/10) will begin at 8:00 because of the length of the opera.  Join us as we take a trip to the West End as we look at five “Recent and Current London Musicals.”   We’ll be sampling songs from “Calendar Girls,” a moving musical based on the charming film of the same name and starring some British favorites such as Claire Moore and Joanna Riding.  A revival of “42nd Street” is currently appearing at Drury Lane, and the original cast included Sheena Easton as Dorothy Brock.  


June may not be bustin’ out all over, but it is certainly wet, and as we enter the month of June, this week’s Dress Circle (6/3 7:00 p.m.) will take a look at some of the shows that have opened this month.  The “summer” months are notoriously lean for Broadway openings, and June is the month of the Tony Awards, so shows generally don’t open then since they would have to be remembered for an entire year before voting occurs.  In any case, we will hear songs from musicals including “Godspell,” “I’m Getting My Act Together and Taking It on the Road,” “Seventeen,” the 1993 revival of “Chicago,”

Lincoln Center is reviving "My Fair Lady" on a grand scale, and this week Theater Critic Howard Shapiro reviews the musical. Listen Friday (6/1) at 8 am and Saturday (6/2) at 10 am. 

Among the many definitions of a “moment,” the first is “a minute portion or point of time: instant,” and on this week’s Dress Circle (5/20 7:00 p.m.), we’ll be looking at a series of “Moment Moments.”  We were surprised by how important moments are in musicals, and we had many shows from which to choose songs.

Listeners are in store for an hour of wonderful singing on this week’s “Dress Circle”  (5/13  7:00 p.m.) when Dinah Shore is featured singing songs from Broadway and Hollywood including songs from her film outing with Alan Jones and Robert Merrill entitled “Aaron Slick from Punkin Crick." 

Tina Fey's popular high-school movie "Mean Girls" is now a Broadway musical. Hear Theater Critic Howard Shapiro's review this week on In a Broadway Minute. Tune in Friday at 8 am and Saturday at 10 am.

A fringe benefit of the CD era is the theme for this week’s Dress Circle (4/29 7:00 p.m.).  The standard LP could hold about 44 minutes of music, so when CDs arrived that could hold 80 minutes, record labels were in a quandary:  Should they just ignore the remaining time or try to fill it with something?   We’re very happy that they filled it with something that those of us who love musicals are thrilled to have:  Bonus tracks – alternate takes, cut songs, songs left off of the LP because of time constraints, demo recordings, and interviews with stars and creators.  

Harry Potter has arrived on Broadway with Harry Potter and the Cursed Child, a stage adaptation of the newest installment in J.K. Rowling's runaway hit series about a wizard and his upbringing. Hear Theater Critic Howard Shapiro's review this week on In a Broadway Minute Friday at 8 am and Saturday at 10 am. 

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