Classical Music News

One of the most horrible events of the Vietnam War took place 50 years ago this week.

This might very well be the ultimate lullaby. Right at the start of the 2018 SXSW Music Festival, Max Richter's eight-hour composition Sleep was performed overnight to an audience tucked into 150 beds. They — the audience, not the tireless group of musicians who performed the piece — slept, dreamed and sometimes snored through this trance-inducing experience.

James Levine, the famed conductor who was fired earlier this week by New York's Metropolitan Opera following its internal investigation into allegations of sexually abusive conduct towards young artists, has responded by suing the Met and its General Manager Peter Gelb.

File this one under: "when genre walls collapse, the fusions are wonderful." Among the sidenotes to dance-music archivists' interest in the minimalist sounds of New York's 1970s and '80s downtown cult figures such as Arthur Russell and Julius Eastman, is how it's brought the work of their colleagues, contemporaries and collaborators to light.

On Friday, the Boston Symphony Orchestra announced that an independent investigation into a sexual assault claim made against conductor Charles Dutoit by one of its former interns has found the woman's claim credible.

The accusation that triggered the BSO investigation came from a woman named Fiona Allan, who at the time of the alleged assault in 1997 was working as an intern at the orchestra's summer home at Tanglewood in Lenox, Mass., when Dutoit was appearing with the symphony as a guest conductor.

On Friday morning the Boston Globe published details of allegations of sexual abuse by 74-year-old conductor and pianist James Levine, as well as chronicling "cult-like" behavior that the leading musician allegedly cultivated amongst his devotees while he was teaching at the Cleveland Institute of Music (CIM) in Ohio between 1965 and 1972.

Hometown: Los Angeles, California

Genre: Rock

Why We're Excited: Sego's "Whatever Forever" unpacks the inner monologue of a frenetic and frustrated mind: Bored and anxious, singer Spencer Petersen rambles and seethes over a throbbing bassline until it's time for a soaring chorus that feels both chaotic and cathartic.

George Li is a young pianist on the rise. At age 10, he gave his first public concert and at 15, he won a silver medal at the revered Tchaikovsky Competition in Moscow. Li recently released his debut album on a major label and has been fielding offers, performing with some of the world's great orchestras.

John Corigliano is one of America's most acclaimed composers. He's won a Pulitzer, an Oscar and five Grammys, and he's still hard at work, having turned 80 on Feb. 16.

Icelandic composer Jóhann Jóhannsson, one of the avant-garde's most beloved film scorers, died Friday in Berlin, Germany. His death was confirmed by his manager, Tim Husom, but according to an official statement, the cause is unknown at this time. He was 48 years old.

By her own admission, composer Florence Price had two strikes against her.

"To begin with I have two handicaps – those of sex and race. I am a woman; and I have some Negro blood in my veins," is how she began a 1943 letter to Serge Koussevitzky, the revered conductor of the Boston Symphony Orchestra. She added later, "I would like to be judged on merit alone."

Note: NPR's First Listen audio comes down after the album is released. However, you can still listen with the Spotify or Apple Music playlist at the bottom of the page.

At first, there's just a drip: a gentle pulse from a marimba. Then a bewitching melody played on a set of tuned cowbells enters and the music comes into focus. The four musicians in the Chicago-based Third Coast Percussion let the piece unfold deliberately. They play as if they're a single, eight-armed organism.

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