Lily Meyer
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Mutt-Lon's The Blunder, Pina by Titaua Peu, and Thuận's Chinatown all come from different continents and deal, glancingly or in depth, with French colonialism.
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New translations of Juan Emar's Yesterday, Cristina Rivera Garza's New and Selected Stories, and Gabriela Alemán's Family Album offer a look at human nature — and adventures along the way.
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Jhumpa Lahiri mixes detailed explorations of craft with broader reflections on her own artistic life, as well as the "essential aesthetic and political mission" of translation.
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The work is much more like reading a book-length poem than reading a play, though few poems or poetry collections come filled with charming illustrations of trees, dancers, and party-hatted dogs.
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Kaouther Adimi's novel tells the real-life story of Edmond Charlot, the Algerian bookseller and publisher who witnessed his country's independence struggle — and famously discovered Albert Camus.
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Rebecca Dinerstein Knight's oddball new novel follows a newly unemployed scientist, lovesick for her former mentor — but convinced of her own worth and her need for a life full of beauty.
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Elizabeth Tallent writes: "For the sake of perfection, I took a voice, my own, and twisted until mischance and error and experiment were wrung from it, and with them any chance of aliveness."
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Chris McCormick's new novel layers the glitz and artifice of pro wrestling over a wrenching tale of two Armenian cousins whose involvement with a militant Armenian liberation group goes badly awry.
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Nicole Krauss and Zeruya Shalev are friends — and authors whose work is deeply bound up in their Jewish and Israeli identities. But both struggle with the pressure to represent those identities.
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The characters in Nona Fernández' new book are coming of age during Chile's brutal military dictatorship — and for them, video games are a useful framework for understanding the dangers all around.