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The Bronx-born González often played with his brother, Jerry, and had turns in the bands of Dizzy Gillespie and Tito Puente, among many others.

More than anything Malkmus has done, Real Emotional Trash engages in the sort of shape-shifting that marked Bob Dylan's career. He wears a different mask on virtually every song, and it certainly helps that the band is his strongest post-Pavement outfit yet.

The Serious Monkee had chops as a songwriter, as well as an unusual sound: a glossy merger of country and rock that took what The Byrds had been doing a step closer to pop. Magnetic South foreshadows the country-rock of The Eagles, whose debut arrived two years later.

There's a tradition in many New York City jazz clubs: Monday nights are reserved for big bands. The Village Vanguard, the most storied of clubs, has observed this practice since 1966.

The jazz, funk and gospel improv group brought jams and joy to the Tiny Desk.

Explore two sides of Mark Guiliana's creative brain, with two different sounding bands, from two hemispheres of the globe: The Mark Guiliana Jazz Quartet from Amsterdam and Beat Music from Brooklyn.

The Cost finds The Frames harboring more commercial ambitions than usual, but no one involved has forgotten singer Glen Hansard's odd ability to sound sweetly romantic, big-hearted, self-deprecating and emotionally stunted at the same time.

From the 2006 North Sea Jazz Festival, saxophonist Benny Golson leads an all-star jam in honor of trumpet legend Clifford Brown. Keyboard synthesist Joe Zawinul, performing with the WDR Big Band, revisits the pioneering 1970s fusion collective Weather Report. Listen to both concerts recorded by JazzSet.

Leavell plays the music of The Allman Brothers and Hoagy Carmichael in a session from 2003.

The trio joins up with trumpeter Wadada Leo Smith for a jazz-rock track that reverberates with moments of victory.