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  • Youthful angst, romantic insecurity and naive innocence pervade the music of Bay Area singer-songwriter Jason Quever, who disguises the weighty themes of songs like "Unavailable" in lush delicacy.
  • Country singer Charlie Louvin turns 80 this year. Along with his late brother Ira, the Alabama native formed The Louvin Brothers in the 1940s, wrote hundreds of songs and enjoyed commercial success. Louvin influenced generations of musicians, a few of whom are assembled on his new self-titled CD.
  • Every decade or so, jazz trumpeter Wynton Marsalis says, he makes a political album. From the Plantation to the Penitentiary is his latest. The songs criticize hip-hop culture, a lack of strong black leadership and materialism.
  • Female rock legends Ronnie Spector and Patti Smith are among this year's inductees into the Rock and Roll Hall of Fame. From the NPR archives come past interviews with both musicians.
  • Amy Winehouse is a 23-year-old British singer-songwriter who takes much of her inspiration from American soul and R&B. Her American debut album, Back To Black, topped the British charts and hit the American charts at number seven.
  • A Glaswegian rock band that punctuates its guitar-fueled rock blasts with moody interludes and bits of esoteric instrumentation, The Twilight Sad makes epic songs that sound both punishing and pretty. Singer James Graham paints a vague but distinct portrait of alienation.
  • The Stooges rock band, led by singer Iggy Pop, have just released their first album in almost 35 years. It's called The Weirdness.
  • In the mid-'60s, Bob & Gene began to record sweet, harmony-drenched soul tunes for a small New York label. However, despite amassing a dozen or so tracks by the early '70s, the duo's album never made it to market. Now, more than three decades later, it's finally been released.
  • Hailing from Minnesota, Low made a name for itself by playing slow, intricate songs. The band's eighth album, Drums and Guns, presents hypnotic, textured drones that are punctuated with cranky guitars.
  • The Cost finds The Frames harboring more commercial ambitions than usual, but no one involved has forgotten singer Glen Hansard's odd ability to sound sweetly romantic, big-hearted, self-deprecating and emotionally stunted at the same time.
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