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  • Nick Lowe's new At My Age, his first album in six years, combines amiable, little-known country covers with rangey, vaguely R&B-ified originals. The weirdest and wittiest of these is "I Trained Her to Love Me."
  • Akron/Family makes a dynamic, experimental, unpredictable indie-folk racket, with influences as disparate as classic rock, psychedelic guitar, found sound and gospel. But in "Love and Space," it puts its considerable vocal talent to work in a campfire spiritual.
  • Saxophone player Benny Golson played with jazz greats Dizzy Gillespie and Art Blakey, and wrote music for the TV shows M*A*S*H and Mission Impossible.
  • The Beatles', Sgt. Pepper's Lonely Hearts Club Band was released June 1, 1967, in Britain, and on June 2 in the United States. The album became a phenomenon, and its sound was perfect for the then-new frequencies of FM.
  • Marva Whitney, who sang with the James Brown Revue in the late '60s and early '70s, took three decades to release a new album. Her new cover of Brenda Holloway's "Every Little Bit Hurts" hints at a rebuke of a music industry that turned its back on her when she and Brown parted ways.
  • On "Rocket," Working for a Nuclear Free City attempts to solve some of life's most vexing problems. But as the answers get more outrageous, and the lessons get harder to come by, the music's momentum starts to take over.
  • George Benson helped kick-start "smooth jazz," that not-so-distant cousin of "easy listening." But before that, Benson's early records — including the spry It's Uptown, which he recorded at age 23 — are more musically adventurous.
  • On "The Plot," White Rabbits' members demonstrate a fondness for twinkling keyboards, room-filling rock and snarling but seductive vocals. Playing a kind of pitch-perfect indie-soul, they draw inspiration from disparate sources like calypso and ska along the way.
  • Many critics are calling The Reminder by Feist, the new recording by the Canadian songwriter and singer, her best yet... and this may be her moment. She was the subject of an extensive New York Times profile. The record came out this week.
  • When jazz pianist Bill Charlap and his mother, singer Sandy Stewart, get together in a studio, their harmony is as easy as their affection for each other. The album of 11 jazz standards they recorded together documents their love for each other, and the American songbook.
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