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  • Ed Gordon talks with jazz saxophone ace Kirk Whalum about his religion, his music and his new CD, Kirk Whalum Performs the Babyface Song Book.
  • Critic Ken Tucker reviews Little Fugitive, the new CD from Amy Rigby.
  • It's Independence Day week, so take a break from comforting your terrified pets to enjoy some of the best Wait Wait moments from the past year, plus some never-before-heard material!
  • Liane Hansen speaks with Brazilian singer/songwriter Milton Nascimento about his new CD, Pieta. The CD pays homage to the women who have influenced him, especially his nurturing adoptive mother, Lilia.
  • Malian performers Amadou and Mariam met during the 1970s at the Institute for the Young Blind of Mali. The husband-and-wife team have overcome numerous obstacles, from blindness to living under a military dictatorship. Banning Eyre reviews their CD, Dimanche a Bamako. They began a U.S. tour this week.
  • This week, the Rolling Stones release a new album, their first studio effort in eight years. It's called A Bigger Bang. Reviewer Tom Moon says the spare, cohesive style of the songs demonstrate why the Stones are such a unique rock band.
  • Motown's success has made its musical catalog one of the most recognizable in American history. Oliver Wang says it takes some guts to tackle these iconic tunes, but the producers have pulled it off.
  • Renee Montagne talks to Louisiana bluesman Tab Benoit about his new CD, Voice of the Wetlands. Benoit and an all-star group of Louisiana musicians recorded the album in January to call attention to the state's vanishing wetlands.
  • Blues singer and guitarist B.B. King celebrated his 80th birthday on Sept. 16, 2005, and also released the new album 80, featuring blues duets with musicians including Elton John and Eric Clapton. This interview originally aired on Oct. 22, 1996.
  • Arvo Pärt, one of the world's most honored living composers, recently recorded and released two new works on a CD called Lamentate, conducted by Andrey Boreyko. Music critic Tom Manoff says the pieces highlight two very different sides of the composer's work.
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