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  • Gabriel Byrne's latest film, Wah-Wah, opens this week. Later this month he may win a Tony nomination for his role in the Broadway production of Eugene O'Neill's Touch of the Poet. He talks with Jacki Lyden about his career.
  • When Kenny Gamble and Leon Huff started Philadelphia International Records in the early '70s, they followed in the footsteps of great regional soul labels like Detroit's Motown and Stax in Memphis.
  • In just six months, YouTube boomed from a start-up video site to a Web phenomenon. The site serves up pop culture classics along with amateur video clips uploaded by anybody with a digital camcorder -- and time to burn.
  • We've all heard about the "laws of attraction" -- but what about the laws of Internet dating? Online dating services and some of their users have been accused of committing fraud. Madeleine Brand speaks with Slate legal analyst Dahlia Lithwick about the regulations, if any, that govern Internet dating.
  • He composed the tune that became an anthem for the Depression, and he discovered Shirley Temple, but few people remember his name. Now, his widow has written a memoir in tribute to her late husband, composer Jay Gorney. It shares the title of his most famous work: "Brother, Can You Spare a Dime?"
  • The Los Angeles-based band refurbishes an enigmatic, but entrancing piece by the late Julius Eastman, whose music is enjoying a well-deserved resurgence.
  • Soon after the San Francisco earthquake and fires of 1906, actors in New York City recorded a dramatic reenactment of the disaster on wax cylinders. This "audio theater," called The Destruction of San Francisco, lasted just two minutes but captured the horrors of the catastrophe.
  • Until it was flattened by the latest Ice Age movie, Madea's Family Reunion had the biggest opening weekend of the year. This was the second hit for writer, director and star Tyler Perry, who is transforming himself into an entertainment empire.
  • As the centenary of playwright Samuel Beckett's birth approaches, remembrances and performances of his work are under way. His influence skipped from country to country during his lifetime, and it remains profound in the world of the theater.
  • Television critic Andrew Wallenstein reviews the ABC miniseries The Ten Commandments. Wallenstein says the series tries to recreate the magic of the 1956 classic film, with mixed results.
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