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  • Artists Jeanne-Claude and Christo, who last winter exhibited The Gates of Central Park, are now focused on their next installation, Over the River. In development off and on since 1992, the project will festoon the Arkansas River with swaths of fabric, a rural and much larger version of last year's New York feat.
  • A thick accent, putting on 30 pounds, or a strong studio campaign: What does it take to win an Oscar? What role do politics and money play?
  • In 1960s Communist Romania, violinist Ion Petre Stoican was struggling to establish himself in the Bucharest wedding market. But when he unwittingly helped snare a highly sought-after spy, Stoican asked for one reward: to record an album with the state-operated label, Electrecord.
  • Drummer Paul Motian has spent more than 50 years in music, working with jazz luminaries like Bill Evans and Thelonious Monk. At 75, he has a new CD of bebop jazz: Garden of Eden, featuring his own band.
  • Morning Edition and Los Angeles Times film critic Kenneth Turan gives his take on the new Superman movie, Superman Returns. Turan likes the action, but he says the characters and plot are not made of steel.
  • A Campbell's Soup can scribbled on by Andy Warhol surfaces three decades after it was hidden away in a coat closet. Must be worth a bundle, right? A reporter takes a journey through the art world to find out.
  • "Fairy doors" are popping up in the downtown area of Ann Arbor, Mich. The miniature openings into imagined fairy homes are an unsponsored, unauthorized public art that's captured the imagination of the city.
  • Singer, songwriter and pianist Regina Spektor's new CD is Begin to Hope. The Russian emigre, who came to the United States when she was 9, says her songs aren't about herself and likens writing songs to writing fiction.
  • Trumpet player Roy Hargrove has two bands — one a straight-ahead jazz combo, the other a soul-tinged R&B band. Instead of choosing one or the other, he recently decided to release two very different CDs simultaneously.
  • In 1966, unheralded Texas Western won the men's college basketball title, starting five black players against an all-white Kentucky squad. It was a vivid moment in the civil rights era. The team's story is told in the film Glory Road.
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