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This new jazz supergroup gives familiar fare by Joni Mitchell, Bob Dylan and Jimi Hendrix an unexpected new tilt.

Legendary clarinetist Benny Goodman has more than eighty albums to his name. Unlike many Goodman records, Ken Burns' JAZZ Series: Benny Goodman contains samples of work from his earlier and later years. The album also has most of Goodman's big band hits, including "Sing, Sing, Sing."

A CD series called Congotronics showcases urban traditional bands in Kinshasa, Congo. The first Congotronics CD was a hit in Europe and the United States, especially popular with DJs who work the music into their club mixes. Now, Congotronics 2 is being released.

For nearly 30 years, David Weiss and Don Fagenson have melded funk and absurdity as Was (Not Was). They talk with Scott Simon about their latest album, Boo!, the first in more than 15 years.

Jacob McMurray's new book Taking Punk to the Masses mixes vivid testimonials with an array of arresting visual artifacts to tell the story of punk's rambunctious beginnings.

The soul singer keeps reinventing others' songs and himself. James' new album is more direct than his earlier material in some ways, and more experimental in others, but grounded in a soulful groove.

Jazz drummers leading their own bands often feature intricate rhythms and brisk, driving momentum. Paul Motian, with his slow tempos, loose timing and tunes that go with rainy days, is so self-effacing, he's almost an anti-drummer. A little rustle of brushes and the faint boom of a bass drum may be all he'll use to nudge the music on.

Jazz guitarist returns to the sound of his straight-ahead quartet with Joe Lovano, on tunes documenting his son's battle with cancer.

Virtually every band plays a few cover songs. In the jazz world, the term "jazz standard" is code for a classic song that's been covered many times by many artists over the course of many years. Here are five artists that break away with more modern-day fare like Radiohead and Bjork.

More than a decade after BADBADNOTGOOD's viral debut upsetting the "jazz police" and carving their own niche playing rap covers, they take the stage in Brooklyn with a wildly psychedelic set.