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  • The Booker Prize-winning author calls her new novel, The Children's Book, her "easiest to love." In it, the children of a bohemian turn-of-the-century couple discover the truth about their parents. Byatt is also the author of Possession.
  • Fine French cuisine doesn't have to mean waiters in tuxedos ferrying trays of oysters or silver-domed serving dishes. Chef Christian Constant is leading a mini-revolution in Paris; he's opened four small, lively restaurants that are comfortable, welcoming — and delicieux.
  • Ken Auletta's new book, Googled, chronicles the behemoth search engine company from the bottom up. But critic Troy Patterson says that few of the book's points are so penetrating that they couldn't be easily discovered via a quick Google query.
  • From her multiple marriages to her diamond collecting, a new biography by William Mann — aptly titled How to Be a Movie Star — details the dramatic life of one of Hollywood's all-time leading ladies. "Elizabeth always loved living large, and it served her very well," he says.
  • Media critic Ken Auletta tracks the development of Google from a search engine to the provider of all things Internet in his new book Googled: The End of the World As We Know It.
  • As winter nears, we look for ways to be warm and comfortable. One of the best ways to do that, says food writer Nigella Lawson, is to indulge in rich, tasty foods that some might call guilty pleasures. For instance: Why not make French toast that tastes like a doughnut?
  • Get B. Smith's recipes for Southern-style collard greens and braise of black-eyed peas and greens soup.
  • Literature is full of reminders that houses have souls, a fact characters forget at their own peril. In some novels, the house is as much a force as any of the people in the story. When that happens, the human characters had better beware.
  • In the follow-up to their 4-million-selling Freakonomics, Steven D. Levitt and Stephen J. Dubner fire yet another provocative salvo at conventional wisdom.
  • Michelle Huneven's new novel — featuring a repeat-offender drunk driver who kills a mother and daughter — raises questions about self determination and fate.
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