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  • Nick Hornby's latest, Juliet, Naked, is another smart, soft-centered tale of hapless manchildren, precocious actual children and sensible women. This is what Hornby does, he does it well, and he's done it again.
  • Gabriel hasn't spoken to his father since the senior writer's review proclaiming his son's first book a failure. When impending heart surgery reunites the men, generational tensions surface along with WWII-era intrigue in Juan Gabriel Vasquez's inventive and intricately plotted The Informers.
  • Sarah Hall's How to Paint a Dead Man weaves together time-shifted stories of four visual artists, all at crisis points in their lives. The book is clever in structure and sweeping in ambition. Hall's skill makes the journey worth the commitment.
  • Melanie Lynskey is up for an Emmy for her leading role in the Showtime series about a girls' soccer team who go down in a plane crash in 1996, and have to survive in the wilderness for over a year.
  • Getting ready for one last trip to the beach? Have a long plane ride coming up? Or are you just ready to become engrossed in a good book? Try these mysteries you may have missed.
  • Newspapers are in trouble, and many Web sites, blogs and cable news shows have opinionated hosts at the helm. Pulitzer Prize-winning journalist Alex Jones talks about his book, Losing the News, and the crisis facing impartial reporting.
  • Once exiled for 12 years, the Uruguayan author now spends his days at his hometown cafe, writing about themes that have preoccupied him for a lifetime. His latest book, Mirrors, is an unofficial — and unconventional — history of the past 5,000 years.
  • David Mazzucchelli's audaciously innovative Asterios Polyp is already on its way to becoming one of the most critically acclaimed graphic novels of this or any year.
  • Set in the 1920s and 1930s — mostly in the section of the city that later became East Berlin — Philip Kerr's crime novels feature a climate of extreme violence and debauchery, full of rogues, cheats and liars.
  • Reporting from Klan rallies and white-power mosh pits — then stepping back to anatomize the vagaries of racist philosophy — Leonard Zeskind's Blood and Politics offers a comprehensive portrait of American xenophobia.
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