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  • Actor-musicians Glen Hansard and Marketa Irglova won an Oscar for Best Original Song, "Falling Slowly," in the film, Once. The movie, about two musicians who write songs together and fall in love, is out now on DVD.
  • Since 2000, Dianne Reeves has won four Grammy's for Best Jazz Vocal Album, and that's record-setting in itself. So it is with the deepest respect and highest anticipation that Dee Dee Bridgewater introduces Dianne Reeves, at the 2006 Monterey Jazz Festival on JazzSet.
  • In the roughly five minutes that make up The Fields' introductory single "Song for the Fields," the British quintet maps out musical territory rich enough to sustain a promising career. If it can put together an entire album that sustains this single's level of intensity, it'll be massive.
  • Musician, producer, arranger, composer Quincy Jones has a new autobiography, Q: The Autobiography of Quincy Jones, (Doubleday) and a 4-CD boxset collecting his work, Q: The Musical Biography of Quincy Jones (Rhino). In his fifty year career hes worked with just about anyone who is anybody in the music business. As a teenager he played backup for Billie Holiday, along with his 16 year old friend, Ray Charles. At 18 he began playing the trumpet in Lionel Hamptons band beside Clifford Brown. He went on to work with Count Basie, Frank Sinatra, Dinah Washington, Sarah Vaughn, Lesley Gore and many others. He wrote the theme songs for the TV shows Sanford & Sons, and Ironside, and music for the films In Cold Blood, For the Love of Ivy, and The Pawnbroker. His biggest commercial success was producing and arranging Michael Jacksons 1982 hit album Thriller.
  • When he was only 25, the word "legend" was already being used to describe Stanley Clarke. Now, he's a king of the acoustic and electric jazz worlds, having won every major award available to a bass player. Hear an interview with the jazz/fusion innovator.
  • Dirty Projectors' songs mix controlled cacophony and catchy melody. Those extremes dominate the band's new Rise Above, on which it attempts to reconstruct and remake Black Flag's 1981 album Damaged.
  • Esquire music critic Andy Langer discusses the week's new album releases, including albums from The Breeders, Nick Cave and the Bad Seeds, Hayes Carll, Ike Reilly, and Man Man.
  • In "Swing (Parts 1 & 2)," guitarist Mick Turner plucks out a simple, dreamy hook as a violin radiates unease. Meanwhile, drummer Jim White helps ratchet up the tension over the course of several eerie minutes. As a solo act, Turner expertly emulates his band, Dirty Three.
  • As the Chicago-based independent record label celebrates 20 years, it continues to support sounds uncommon to its indie-rock peers. Drawing from an inclusive underground music community in the Windy City, here are five examples of the label's creative and improvised releases.
  • Nicole Mitchell's Renegades matches exploratory playing with deep grooves and a tight ensemble blend. The new group is Black Earth Strings, consisting of flute, three strings and percussionist Shirazette Tinnin.
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