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The anthology demonstrates that American women are just now at the starting line of exploring and understanding their anger; it's more about how they live with anger than about what makes them angry.

Wilson's new novel centers on a young woman taking care of two kids with a disturbing ability: When upset, they burst into flames. But in Wilson's hands, what could be scary is funny, even beautiful.

"It was perilous to be a black gay boy in America," Jones says of the fear and isolation he experienced growing up in Texas in the 1990s. His new memoir is How We Fight for Our Lives.

Throughout his career, Edmund Morris repeatedly showed boredom, even disdain, for the traditional biography. In turn, he sometimes injected his books with an artistic flair that got in the way.

Mimi Lok's debut story collection — a perceptive look at the connections we make and fail to make — doesn't read like a debut. Lok writes with the self-assuredness of a literary veteran.

"He completely changed my life," Apatow says of his mentor. It's Garry Shandling's Book, which Apatow edited, explores the insecurities and personal trauma that Shandling turned into comedy.

Talia Hibbert's new novel stars Chloe, who's determined to get a life after years of coping with chronic pain, and Red, the mysterious and extremely annoying (at first) super at her new building.

Danny Fingeroth spends some time unpacking Lee's long-running dispute with Jack Kirby and others over ownership, but mainly offers strong insights into the forces that drove Lee and Marvel to success.

The musician left behind an unfinished memoir when he died in 2016. Dan Piepenbring, his co-writer, recalls the moment he knew he could make The Beautiful Ones happen — even in Prince's absence.

Anne Nelson links "the manpower and media of the Christian right," "finances of Western plutocrats," and "strategy of right-wing Republican political operatives" via the Council for National Policy.