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As artificial intelligence alters human connection, Louisa Hall's characters wrestle with whether machines can truly feel. Some "feel they have to stand up for a robot's right to exist," Hall says.

Robert Brockway's day job is helping to run Cracked.com, and he brings that site's irreverent wit to this lightweight but satisfying tale of a waitress and a punk rocker battling eldritch horrors.

The co-founder of the Monty Python troupe admits he wasn't "naturally gifted" at physical comedy, and learned a lot by imitation. His new memoir, So, Anyway..., covers his boyhood and early career.

Throughout his memoir, Unfaithful Music & Disappearing Ink, Costello grapples with parallels to his father's life. "In the end, music was playing in the room when my father left this earth," he says.

Geraldine Brooks' retelling of the biblical epic of King David casts him as larger than life — jester, predator, conqueror and poet. Critic Jean Zimmerman says Brooks "gives the whole king his due."

June Reid has lost everyone she loves in one horrifying moment, but she's not the only one grieving. Bill Clegg's new novel tells of June's loss through the voices of those who know and encounter her.

Stephanie Clifford's debut novel, about the desperate social strivings of a young woman in Manhattan, has its roots in the tragic, old-money fascinations of Edith Wharton's The House of Mirth.

Theater critic Michael Riedel dishes some juicy backstage anecdotes in his new book about Broadway's Shubert Organization, but fails to bring its deal-makers and their troubles to convincing life.

In this new collaborative YA novel, three authors — Scott Westerfeld, Margo Lanagan and Deborah Biancotti — each take charge of two characters, teenagers with offbeat and troublesome superpowers.

Mona Eltahawy says as a female in Saudi Arabia you have two options: "To lose your mind or become a feminist." Rafia Zakaria says it's crucial to reclaim the identity of the modern Muslim woman.