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  • Grammy-winning fiddler Augustin Hadelich brings one of the finest violins in the world to the Tiny Desk.
  • Strap in for a 17-minute explosion of good-hearted joy, courtesy of the stars of A Quiet Place and the entire (socially distanced) original cast of Hamilton.
  • Vangelis composed the music for Blade Runner and Chariots of Fire, which won him an Academy Award.
  • Computer geeks are joining the ranks of fans of a high-tech brand of haute cuisine called "molecular gastronomy," using exotic laboratory tools and exotic chemicals to create some very unexpected taste sensations.
  • On a new album, the classical stars revisit the concerto Williams composed specifically for Ma, as well as some of Williams' most affecting film scores.
  • The Guthrie Theater in Minneapolis is one of the best known regional theaters in the country. It has been home to such legendary actors as Hume Cronyn and Jessica Tandy and has won a Tony Award. Now, after 40 years, the theater company is moving to a new high profile home on the other side of town.
  • China's urbanization is perhaps the most extensive the world has ever seen. In Beijing and elsewhere, the job of designing prominent urban buildings is going more often than not to Western architects -- and the rush to remake the capital of China is crowding the ancient city with out-of-character designs.
  • After releasing her debut album, 19, to critical acclaim earlier this year, British artist Adele was dubbed the next Amy Winehouse by the British press. The young singer-songwriter talks about her record and her new-found fame.
  • The avant-garde improviser used to joke: "I do country music; it's just a matter of what country." Now on his first North American tour in more than two decades, he describes his atmospheric electronics and soft, subtle trumpet style.
  • O'Neal's Whirling Mantis is named for a defensive move in karate. The martial-arts reference suggests one way to look at how O'Neal's music operates: The players react to each other's moves, deflecting one another in stylized interaction.
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