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On his new album titled c.1300-c.2000, the pianist begins with a medieval song by Machaut and ends with an étude by Philip Glass.

While a valiant endeavor, the Metropolitan Opera's new series of steaming concerts can't seem to shake off opera's fusty, aristocratic traditions.

Stephanie Williams discovered comics young, drawn early to X-Men, which she saw as an allegory for the persecution of black Americans. An adult now, she co-hosts a podcast about black superheroines.

Shields grew up in the public eye, and now she is aging in the public eye and wants to discuss it. At the top of her list is the idea that women in their 50s aren't represented in lots of places.

Former Assistant Secretary of Education Diane Ravitch explains why she was once an early advocate of No Child Left Behind, school vouchers and charter schools — and what changed her mind.

Two hugely important recordings, made by pivotal musicians an ocean apart, were made on the same day in 1936.

He was a child star, an international icon, a running late-night talk show joke. But in his prime, his overbearing talent and ambition made him a musical genius. He was 50 years old when he died.

Rick Wilson's book is the story of a Republican Party whose shift toward Trumpism left him furious — and a rant against those who have disappointed him — conveyed with biting, over-the-top writing.

Milo and his big sister take a long subway ride to visit their mother, who is incarcerated, in the latest collaboration from award-winning picture book duo Matt de la Peña and Christian Robinson.

Late night TV has seen a recent exodus of non-white stars — from Desus and Mero and Ziwe to Trevor Noah himself.