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The London trio, led by Shabaka Hutchings on reeds, liberates itself from received jazz wisdom, let alone any form of decorum.

Although he was a solo artist for only seven years, John Coltrane became one of the most renowned saxophonists in history. In 1963, Coltrane teamed with Johnny Hartman to record this classic compilation of ballads. It was Hartman's first record in eight years.

Gene "Jug" Ammons played bebop and R&B with equal skill. As the founder of the "Chicago School" of tenor sax, he performed with the Woody Herman and Billy Eckstine orchestras. He and his saxophonist friend, Sonny Stitt, often seemed to be in competition when they played together, as they do in this album.

Because March 8 is International Women's Day, this week's Take Five celebrates six important women in jazz. Three exemplify classic artists who paved the way for women's work in a jazz world once dominated by men, while three are modern innovators.

Dana Spiotta's third novel follows two adult siblings and the adolescent fantasies that define — and confine — them.

The New Orleans Public Library has introduced Crescent City Sounds, an online collection of recordings by local musicians that virtual visitors can stream from their devices.

The Fourth of July is a birthday party and the whole country is invited. And every party needs music. Whether meditating on America's landscape, its freedoms or the things about it that frustrate us, America is ripe for inspiration, as evidenced by the songs here.

Jazz being the esoteric art that it is, many of its major artists were similarly obsessed with other forms of divining — numerology, tarot readings, enneagrams and especially astrology. Here are five jazz songs that might inspire you to ask your fellow jazz fan, "What's your sign?"

Jazz pianist Barbara Carroll cut her teeth in the clubs on 52nd Street in Manhattan in the late 1940s and early '50s, with the likes of Dizzy Gillespie, Billie Holliday and Charlie Parker. Today, she's 86 and still performing.

Joe Jackson's new album, The Duke, is a tribute to fellow musical pioneer Duke Ellington. The album, however, is not meant as a faithful, note-for-note re-creation. In fact, it features almost no horns.