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  • City mice go the country this week. Displaced cops, dilapidated farmhouses, and cowboy fantasy camps form the bases for “Witness” (Maurice Jarre), “On…
  • Sounds Choral this Sunday (2/6) presents selections of American choral music. Join host Amanda Quist at 2 pm for this week's Sounds Choral.
  • The wolves of Yellowstone. They're back. They're still wolves. It's complicated.
  • Bird songs have captivated composers ranging from Respighi to Messiaen, and they served as the inspiration for Pulitzer Prize-winning composer John Luther…
  • This week on the ASCAP Deems Taylor Virgil Thomson Award winning program Between the Keys, the Classical Network’s Artist-in-Residence Jed Distler…
  • Two new documentaries probe the effects of outside influences on third-world countries. In Our Brand is Crisis, the arrival of U.S. campaign consultants threatens the outcome of a Bolivian presidential election. And Darwin's Nightmare is about the devastation of Lake Victoria in Tanzania.
  • Liev Schreiber stars as the real-estate salesman Ricky Roma in a production of Glengarry Glen Ross showered with Tony nominations. Schreiber, Alan Alda and Gordon Clapp are all nominated for best actor.
  • This year has been a doozy for pop culture fanatics.
  • Each year, the town of Verona, Italy — home of Shakespeare's Romeo and Juliet — receives thousands of letters of unrequited love addressed to the play's star-crossed heroine. And each letter — more than 6,000 a year — is answered by hand by a team of secretaries at the Juliet Club.
  • He's been acting since he was a child. Culkin first attracted attention as John Candy's inquisitive nephew in the John Hughes film, Uncle Buck. The film Home Alone turned him into a star. He also made the films Home Alone II, Jacob's Ladder, and most recently Party Monster. Recently he returned to acting after a 6-year hiatus. His latest film is Saved! He plays a high school student in a wheelchair attending an evangelical Christian High School, whose friends are all outsiders. The film has been described as part religious satire, and part teenage rite of passage film.
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