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  • Ed Piskor is back with another volume of his popular Hip Hop Family Tree series, this time chronicling the acts — from the Beastie Boys to one-hit wonders — that rose to the top in 1984 and 1985.
  • Emily Meggett spent decades caring for her community with her delicious, traditional Gullah Geechee food from South Carolina. She shared her recipes in her first cookbook, published when she was 89.
  • Shubhdeep Singh Sidhu, also known around the world by his stage name Sidhu Moose Wala, was killed Sunday evening while driving his car in Mansa, a district in northern India's Punjab state.
  • In a substantive edit to Netflix's public-facing statement on work culture, the company states that employees might have to work on titles they "perceive to be harmful."
  • Pianist Laurence Hobgood has been a fixture on the Chicago jazz scene for years. He has recently come to prominence as pianist, musical director and co-producer for the much-celebrated jazz singer Kurt Elling. The pianist gives an interview and performance on Piano Jazz.
  • Piano Jazz showcases another bright young pianist, Jeremy Siskind. Having recently graduated from the Eastman School of Music, Siskind has already won several impressive competitions and attracted the attention of Piano Jazz's host. His skills have taken him to Japan and around the U.S.
  • Pulitzer Prize winner August Wilson has spent more than 20 years writing a cycle of plays that chronicle black life in 20th-century America, decade by decade. For Intersections, a Morning Edition series on artists and their inspirations, the playwright discusses how he first found the language of the black experience in blues legend Bessie Smith.
  • There are very few novelists with Paul Beatty's swinging sense of play. His latest novel, Slumberland, is a sui generis piece of heartfelt absurdism. Troy Patterson recommends readers give it a spin.
  • The musicians of the Chicago Symphony Orchestra are on strike. At issue are salary and pensions. The contract expired Sunday night.
  • Bob Mondello looks at a new phenomenon that's been popping up on the web: people recutting footage from old movies and adding familiar music to suggest radically different films from the ones we know.
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