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In Bitch Planet: Triple Feature, creators Kelly Sue DeConnick and Valentine De Landro turn a score of talented writers and artists loose in the world of their futuristic feminist dystopia comic.

Nnedi Okorafor winds up her saga of a spacefaring Himba girl from Earth in Binti: The Night Masquerade — but she's warned readers not to expect a neat conclusion, and the book bears out her warning.

Natalie Hopkinson's new book takes her ancestral land of Guyana as a jumping-off point for a wide-ranging look at art and the role of the artist in shaping politics, culture and the future itself.

This new essay, edited by Ernest Drucker, argues that mass incarceration — more than 2 million Americans are locked up — tears at our social fabric and leaves people with no option but to reoffend.

Leila Slimani's breakout novel, inspired by true stories of killer caregivers, chronicles the complex relationship between a mother and her babysitter.

Ana Simo's brash and unsettling debut novel straddles the line between pulp noir and slapstick; it's the story of a struggling writer who decides that murder is the cure for her decade-long block.

Ursula K. Le Guin's mastery of fiction has remained so consistent, it's easy to overlook her accomplishments in other forms — but her new nonfiction collection goes a long way towards fixing that.

Maude Julien's new memoir chronicles her extraordinary — and awful — childhood with fanatical parents determined to turn her into the ultimate survivor through deprivation, violence and endless tests.

Esther Perel has spent the past six years focusing on couples who are dealing with infidelity. "It's never been easier to cheat — and it's never been more difficult to keep a secret," she says.

This season's secret weapon in literary banter will be Mrs. Caliban, a peculiar, wonderful, overlooked 1983 novella by Rachel Ingalls, about a housewife whose life is upended by a suave frog monster.