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  • A performer of boundless energy, Sammy Davis Jr. was known for plowing over audiences with flim-flam and razzle-dazzle. But in the studio, the diminutive don of the Rat Pack was, at times anyway, a serious singer. Here, he performs in a desolate cocktail bar, with only a guitarist for support.
  • Millions of chicken wings will be eaten at Super Bowl parties across the country Sunday, and a lot of them will get their kick from the rising star of condiments.
  • In Less Than Human, David Livingstone Smith explains how dehumanizing people makes us capable of atrocious acts.
  • For centuries, the country turned its back on black musicians — including the jazz artists whose creations embodied freedom and empowerment. Today, the Cape Town International Jazz Festival is one of Africa's largest musical gatherings. Here are five musicians who played the festival this year.
  • Hombre Lobo is the first studio album in five years by the act known as Eels. Frontman Mark Oliver Everett — better known to his fans as "E" — turns in what he calls "12 songs of desire."
  • Mozart's premier creative partnership with Lorenzo Da Ponte produced a masterpiece for the ages, and one of the only successful sequels to an existing plot. This comic opera continues where playwrite Beaumarchais' The Barber Of Seville leaves off.
  • How Vivaldi — as well as Handel, Haydn and Rossini — made hits out of a single poem filled with passion, violence, mystery and magic.
  • The intrepid champion of new music turns her attention to female composers, offering a sampler of works by women across four centuries, including a favorite of Louis XIV and an Ethiopian nun.
  • Striking performers not allowed to work or promote their movies and shows. Now, their union SAG-AFTRA has some spooky new guidelines.
  • In the 1960s, catching a flight wasn't much of a hassle. No lines, no security screenings and no need to show ID. But the ease of travel brought with it some serious consequences.
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