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  • His latest book Bumble-ardy is a deeply imaginative tale about an orphaned pig who longs for a birthday party. Sendak, who is 83, wrote and illustrated the book while caring for his longtime partner, who died of cancer in 2007. "I did Bumble-ardy to save myself," Sendak says. "I did not want to die with him."
  • New York Times chief Washington correspondent David Sanger details how President Obama accelerated the use of innovative weapons to fight the wars in Afghanistan and Iraq, and sped up a wave of cyberattacks against Iran to destroy its nuclear centrifuges.
  • What does the Internet look like? Journalist Andrew Blum decided to find out. His new book, Tubes, is a journey into the Internet's physical infrastructure — where our data is stored and transmitted.
  • The pun-filled Phantom Tollbooth turns 50 this year. Author Norton Juster takes questions from young readers about the story of Milo, a bored little boy who finds adventure in a very strange land full of riddles and wordplay.
  • To Kill a Mockingbird and Valley of the Dolls have more in common than you think. In his new book Hit Lit, mystery writer James Hall argues that best-sellers from the past century share 12 features.
  • In his new book, Sadakat Kadri offers a clear-eyed and judicious history of Islamic law. His gently skeptical tone also makes the account surprisingly funny, says critic Gideon Lewis-Kraus.
  • Robert Graves once said, "There's no money in poetry." But Brooklyn-based poet Timothy Donnelly might disagree.
  • Some of the most popular culinary creations — Granny Smith apples, Caesar salad and nachos — are products of fortuitous discoveries. Josh Chetwynd's new book, How the Hot Dog Found Its Bun, chronicles the quirky history of kitchen favorites.
  • In his new book, End This Depression Now! Paul Krugman, a New York Times columnist and Nobel laureate, argues that Keynesian fixes can solve our economic woes.
  • In Driven, the sequel to the book that spawned the award-winning film Drive, the mysterious ex-stuntman Driver finds there's one thing he can't outrace: his own violent past. James Sallis' writing is taut and surprisingly philosophical.
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