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  • Music critic Ken Tucker reviews Fearless the second studio album by country-music singer/songwriter Taylor Swift. It debuted as number one on Billbaord's Top Country Music Albums.
  • Collectors covet the detailed and intricate charm-like pieces, used as anchors on kimono sashes. Master carver Komada Ryushi shares how he still gets nervous each time he starts a new netsuke.
  • The Getty Trust, one of the largest foundations in the United States, has been under investigation for how it spends money as a non-profit organization. In the midst of the investigation, President and CEO Barry Munitz resigned. But some say that doesn't settle the matter.
  • A new comedy from Ian McEwan; the true-life adventures of the Victorian Brit who stole the secrets of tea from China; and a Kenyan contemporary of Obama's father remembers the Mau Mau rebellion.
  • While Estefania broke with her family's Mexican folklórico tradition of dance, she says her mother and uncles did manage to instill discipline and a love for dance and art in her soul.
  • A limited series premiering on AMC deftly sketches the portrait of a married couple who get put on trial for cheating to win the top prize on the British version of Who Wants to Be a Millionaire?
  • Granta editor John Freeman picks the year's top five debuts by fiction writers. The list includes three collections of short stories and two novels. Freeman says the era of the splashy debut might be gone, but these authors demonstrate, despite their short publishing histories, that first-time writers can still make a big impression.
  • Unlike Germany, which after World War II underwent a rigorous de-Nazification effort, pride, rather than shame, is the emotion many Italians feel for the symbols of the country's fascist past.
  • Each week, the guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: "Unholy" by Sam Smith and Kim Petras, Skinamarink and more.
  • Despite what you may have heard, dead-tree publishing isn't dead. In fact, a host of new print magazines are bringing some wild, weird, innovative words and pictures to the alternative comics scene.
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