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Thunderbolts* is unapologetically formulaic. And yet, Florence Pugh is terrific; the action is coherent; and the character dynamics strike the right balance of earnest sincerity and glib humor.

My Name Is Emilia Del Valle is the newest novel from the prodigious Chilean expat, now in her 80s. Plus, a personal history of the orange, a Josephine Baker history and having kids in the digital age.

Jim McKay makes movies about New Yorkers who don't often make it to the big screen. His newest, En el Séptimo Día, is about Mexican undocumented workers who gather on the pitch on their only day off.

Bui's Eisner Award-nominated graphic memoir The Best We Could Do chronicles her family's struggles in fleeing war-torn Vietnam to immigrate to the United States.

Mike Flanagan's new film, a maudlin mystery about a man dying of cancer, feels hobbled by its extreme faithfulness to the Stephen King novella on which its based.

There is one economic riddle ahead of Super Bowl Sunday: The egg market has been hit hard by avian flu, but wings are abundant and relatively affordable this year. So what gives?

If the pets in a 5th grade classroom could talk, what would they say? That's the premise of Leo, the new coming-of-age movie musical from Netflix.

Trombone Shorty releases new album from New Orleans, a tribute to the city's soul, marking the 20th anniversary of Hurricane Katrina.

Korea's Gaon Choi, 17, rebounded from a hard fall to win gold — and end her role model's historic bid for three in a row in the Winter Olympic halfpipe.

The 82-year-old playwright says he thought he was done writing about South Africa after apartheid ended — but there were more stories in him, like this tale of a farmer who paints his life on rocks.