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  • Women make up half of movie viewers, and yet they are underrepresented on the big screen. Many more films are made by, for and star men, according to surveys by the Annenberg School. So as Hollywood changes and evolves, can this disparity be fixed?
  • Dav Pilkey has just released his 10th Captain Underpants book. The series, packed with potty humor and goofy illustrations, delights reluctant readers and horrifies many grown-ups. Pilkey says he wanted to create books that would appeal even to readers who struggle, the way he did as a child.
  • In Who Could That Be at This Hour?, a prequel to A Series of Unfortunate Events, Daniel Handler satirizes pulp mysteries and uncovers the parallels between detective fiction and childhood. In both, he says, an outsider is trying to make his way in a mysteriously corrupt world.
  • In Mission To Mars, astronaut Buzz Aldrin lays out his plans for getting Americans on Mars by 2035.
  • Read an excerpt from historian Bob Riesman's look at the great blues man's ever-evolving persona.
  • Before the Civil Rights movement, segregated American cities helped give birth to the Chitlin' Circuit, a touring revue that provided employment for hundreds of black musicians. Rock historian Ed Ward profiles two recent books which illuminate the conditions these musicians endured.
  • In her new book, Cokie Roberts explains how women like Mary Todd Lincoln and Jessie Benton Fremont influenced Washington's men of power when they weren't even allowed to vote.
  • Wolfe tells Fresh Air's Dave Davies that what makes Miami exceptional is the story of how an immigrant community rose to dominate its political landscape in just over a generation. His new novel deals with racial and ethnic conflict among the city's diverse inhabitants.
  • In The Price of Inequality, Nobel Prize-winning economist Joseph Stiglitz argues that widely unequal societies don't function effectively or have stable economies. Even the rich will pay a steep price if economic inequalities continue to worsen, he says.
  • Ballet's history is not just about choreography and technique — it's also a history of nationalization, the changing ways we view the body, shifting gender norms and class struggles. Historian Jennifer Homans chronicles the art form in a cultural history, Apollo's Angels.
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