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  • Hazmat Modine is a New York band fronted by two harmonica players. Their repertoire starts with blues and branches into various genres of Americana, but always with a difference: tuba bass lines, lacings of Eastern European hammer dulcimer, or Tuvan throat singing. The group's debut CD is Bahamut — reviewer Banning Eyre says its charm lies in how it lends an air of mystery and other-worldliness to familiar sounds.
  • Saxophonist Ornette Coleman burst on the jazz scene in the 1950s with a new kind of music called "free jazz," which he called "harmodolics." He and his band broke away from traditional melodic conventions, creating controversy and revolutionizing the jazz art form. This album catches him and his group at its peak.
  • Bowing to market forces isn't just a modern concern: 'Semele' was Handel's attempt to appeal to fans of spiritually minded oratorios and lusty operatic dramas alike.
  • The pop crooner was behind some of the biggest power ballads of the 1970s and '80s. His wife said he died in his sleep.
  • The actor best known as Dr. Frasier Crane discusses his first opera performance, as Dr. Pangloss in Leonard Bernstein's Candide at the Los Angeles Opera.
  • This Wednesday, 6-6 at noon we'll hear Curtis students in Poulenc's Sonata for Violin & Piano, a waltz by Augustin Barrios & Davidsbundlertanze by Robert…
  • Lawyer and journalist Adam Cohen explores five decades of Supreme Court opinions and comes to a rueful conclusion: These decisions have greatly exacerbated the space between rich and poor.
  • In the new book What You Want Is in the Limo, author Michael Walker argues that a peak year in the careers of Led Zeppelin, Alice Cooper and The Who also marked a cultural shift — from the peace, love and understanding of 1960-era music to '70s rock decadence.
  • What is best in life? To crush your enemies, see them driven before you, and to hear the lamentations of their women! The next best is an hour of music…
  • One of the great trumpeters of the swing era, "Little Jazz" talks about a career that includes collaborations with Fletcher Henderson, Gene Krupa and Billie Holiday. In this session from 1986, Eldridge also shows off his piano chops and vocal gifts.
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