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At Heladeria Cadore in Buenos Aires, small-batch, hand-made daily flavors are sculpted into creamy, six-inch ice-cream spires.

As The Bear enters its final season, chefs Jon Sybert and Walter Manzke talk about the trials of winning, and keeping, a Michelin star.

Harry Potter has arrived on Broadway with Harry Potter and the Cursed Child, a stage adaptation of the newest installment in J.K. Rowling's runaway hit…

Wednesday, 2-6 at noon on Curtis Calls we'll hear Mozart's Sonata in F major, K 533/494 and the Sonata No. 2 by Dmitri Shostakovich. Performances from…

Lea Salonga and George Takei starred in the 2015 Broadway musical "Allegiance," about the internment of Japanese Americans by the U.S. government during…

American conductor Matthew Robertson (b. 1986) is the founder and driving voice of the professional choir and orchestra The Thirteen, which he has led in more than two hundred concerts, two dozen concert tours, nine commercial recordings, and numerous world premieres. Noted for boundary-defying performances that “transfigure the listener” (The Washington Post), for his “incisive tempos and dramatic pacing” (Washington Classical Review) and “flowing lines and dramatic climaxes”(Fanfare Magazine, UK), Robertson’s vision has led to acclaimed performances of a diverse repertoire, often featuring use of staging and multimedia, and to The Thirteen’s winning the Most Creative Programming Award from the Greater Washington Area Choral Music Awards.

In Alaska, a seventh grader has won the Yup'ik spelling bee and a fifth grader has won the Iñupiat spelling bee.

The rambunctious, indefatigable tuba player and composer makes a lot of joyful noise on London's jazz scene — part heavy anchor, part combustion engine, with a will to set any groove aflame.

In Our Kind of Traitor, former British intelligence officer John le Carre uses his unmatched knowledge of crime and psychology to spin a smooth and satisfying spy thriller about multinational money laundering and greed.

Summer reading picks are on the way: the movie tie-in edition of David Nicholl's U.K. sensation One Day and the latest from John Grisham and Stephen King. In nonfiction, it's time to get superfreaky about economics, and comedian Jimmy Fallon offers a little thanks.