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Filmmaker Phil Morrison has turned his directing skills to a series of new ads for Macintosh computers. But does the match of Mac "coolness" versus IBM-clone "clunkiness" seem too mean-spirited?

Commentator Sandip Roy compares the new Bollywood superhero Krrish with Hollywood's "man of steel." The biggest difference? Krrish can sing and dance.

The religious thriller The Da Vinci Code has sold more than 40 million copies worldwide. The film -- which begins screening next Friday -- features mega-star Tom Hanks, and it should be a box office bonanza. So why is Sony studios so secretive about the movie, and its multi-million marketing campaign?

Betsy Broun, director of the newly reopened Smithsonian American Art Museum, talks with Lynn Neary about a piece by Korean-born artist Nam June Paik called "Electronic Superhighway."

The Unexpected Productions troupe of Seattle specializes in improvisational theater, and right now they're focused on Shakespeare. Actors Ron Hippe, Elicia Wickstead and Randy Dixon create a bit of the Bard on the fly for Debbie Elliott.

A vivid and unnerving ode to vampirism, Chad VanGaalen's "Red Hot Drops" does an exceptional job capturing its subject's sinister allure — the surrender and ease of "draining with no pain" — before rupturing into a rare moment of oddly funky release.

Written around the time of World War One, Sergei Rachmaninov's "All Night Vigil" is an extraordinary choral music composition. A new recording of Rachmaninov's work from conductor Paul Hillier and The Estonian Philharmonic Chamber Choir is out, and music critic Tom Manoff says it's magnificent.

Todd Snider often writes songs with a slightly boozy country-rock swagger, paced by a steady intellectual metronome that's a tick or two ahead of most of his peers. Snider's new album, The Devil You Know, riffs on some of America's major political fault lines.

The music of Natacha Atlas is exotic to Western ears: Egyptian orchestras soaring over dancehall beats and Spanish guitar riffs set to the rhythms of the Mahgreb. Her new CD, Mish Maoul, has all those elements and adds some of her Moroccan heritage to the mix.

Film commentator Kenneth Turan talks to Renee Montagne about yesterday's premier of The Da Vinci Code at the Cannes Film Festival. He says the movie sacrifices excitement as it strives to remain true to the book.