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  • Memories, and how to capture them, are a tricky proposition, says The New Yorker's Roger Angell. He talks about the art of writing, what he learned from his stepfather, E.B. White, and his new memoir, Let Me Finish.
  • Filmmaker Wes Anderson is famous for quirky, comic films such as The Royal Tenenbaums and Rushmore. Now he's winning new fans with his take on the American Express "My Card, My Life" ad campaign. Slate ad critic Seth Stevenson offers a review of the unique commercial.
  • Last spring, 32 previously unknown paintings thought to be the work of Jackson Pollock were found. The foundation representing the artist's estate doubts their authenticity.
  • A hardened young South African gang leader steals a woman's car -– then finds out her baby is in the back seat. So starts the South African film Tsotsi, which is up for an Academy Award for best foreign film.
  • Several recent DVD releases feature great black entertainers of the 20th century. For classical music critic Lloyd Schwartz, his favorites feature the great tap dance team of Harold and Fayard Nicholas.
  • Race and politics add to the tension of a detective's search for a kidnapped child in Freedomland, starring Samuel L. Jackson and Julianne Moore. The film's screenplay was written by Richard Price; the story is based on his novel of the same name.
  • Slate contributor Seth Stevenson reviews a new series of television ads for the Volkswagen Jetta. The spots feature drivers and passengers having everyday conversations when they suddenly are involved in a front-end collision.
  • A new musical on Broadway called Hot Feet is a collaboration between musician Maurice White of the R&B group Earth, Wind and Fire and choreographer Maurice Hines. Ed Gordon talks with White and Hines about the venture.
  • Farai Chideya talks with actress Victoria Rowell about an art exhibit produced by children in foster care. The exhibit is called "The Passion Art Tour."
  • The "Bookless Library." Is it a contradiction in terms, or a sign of the times? Information technology changes as soon we think we understand it. And libraries are struggling to keep up -- and redefine their role. A range of approaches are meant to help design a library for the 21st century.
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