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  • Comic and journalist Stephen Colbert is the fake senior correspondent on Comedy Central's The Daily Show with Jon Stewart. We talk with Colbert about his reports, from "Rathergate" to "This Week in God."
  • Hip-hop scholar and Northeastern University professor Murray Forman joins culture critic Mark Anthony Neal of Duke University to talk with NPR's Tony Cox about their new book That's the Joint: The Hip-Hop Studies Reader.
  • A major figure in the American musical scene died on Dec. 7 at his home in Siesta Key, Fla. Frederick Fennell was a legendary conductor and educator known for his musicality and interpretive abilities. NPR's Fred Child remembers him through his music.
  • Actor Jerry Orbach died Tuesday at age 69 of prostate cancer. Orbach spent years on the New York stage as a song man in hit musicals, but he was perhaps best known for his role as acerbic New York homicide detective Lennie Briscoe in the long-running hit series Law and Order.
  • Music journalist Ashley Kahn profiles Alice Coltrane, widow of jazz legend John Coltrane. Alice Coltrane is a musician and bandleader in her own right and has just released her first album in 25 years.
  • Slate advertising critic Seth Stevenson gives his assessment of the new ad campaign by America Online, which tries to promote the company's responsive customer service.
  • February marks the 75th anniversary of Dashiell Hammett's The Maltese Falcon, hailed as one of the greatest detective novels of all time. Day to Day book critic David Kipen takes a look at the legendary murder mystery.
  • NPR's Michele Norris talks with Carol Brey-Casiano, president of the American Library Association, about the impact of Google's plan to digitize the resources of five major libraries.
  • Slate's Josh Patner explains some of the inner workings of New York's fall fashion week.
  • NPR's Alex Chadwick interviews Sean Fine, the producer and cinematographer of True Dads, a documentary that looks at six different fathers and how they've overcome adversity to raise their families. Fine also talks about how the process of making the film affected relationships in his own family.
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