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The new Broadway revival of Stephen Sondheim's Sweeney Todd, which opened two weeks ago to rave reviews, sounds a little different: This production features just 10 actors, and those actors are playing the music.

In 1968, a young reporter took a tape recorder with him to Johnny Cash's concert inside Folsom Prison. Beley's recording is familiar, but it's from an entirely new perspective: that of the audience.

More than 30 holiday movies will open between now and the end of the year -- many of them Oscar hopefuls. Bob Mondello has a selective preview.

Rock journalist Bob Spitz's new biography of the Beatles is decidedly not prettified: venereal disease, drugs, and bad business are all part of the story of the Fab Four. The book is The Beatles: The Biography.

New York has always served as a muse for rock icon Lou Reed, and his photography is inspired by his sense of the city. The photo exhibit Lou Reed New York opened recently at the Hermes and Steven Kasher galleries. Reed tells Scott Simon about his work.

The beginning of January marks the deadline for most college admissions applications. The Unversity of Virginia's freshmen may not be anxious to revisit this period, but they can anyway: A play called Voices of the Class, 2009 offers adaptations of their application essays.

In an excerpt from her forthcoming memoir, singer-songwriter Margo Price remembers the early days of motherhood and marriage, their chaos compounded by a late-living musical lifestyle.

The 19th-century actress Sarah Bernhardt is feted at The Jewish Museum in New York City. Co-creators Carol Ockman of Williams College and Kenneth Silver of New York University tell Scott Simon about the exhibit.

Man Man's freewheeling waltzes reside somewhere between Broadway musicals and vintage 45s. Singer Honus Honus's gruff-but-lovable growl recalls Tom Waits or Nick Cave, while the rest of Man Man wields pots and pans, whistles and chimes, xylophones, flutes and trumpets.

Broken Social Scene, the indie rock collective based in Toronto, Canada, is getting rave reviews for their third CD, a self-titled album some critics say is their most powerful record to date. NPR producer Christopher Johnson reports on the band's unique, multi-layered rock 'n' roll rumble and the logistics of getting a dozen band members on and off the stage.