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  • Whether blaring to the stratosphere or holding back to fit a room, Jon Faddis' trumpet is always in conversation. Faddis is a personal hero to many aspiring trumpeters. Here, he performs at Jazz Standard in New York with his quartet and guest percussionists from West Africa.
  • The new album from the Philadelphia hip-hop band The Roots contains verses from the perspective of a child soldier in Sierra Leone, a campus shooter in America, and those in the grip of addictions. Rising Down may be the group's best album.
  • Recently, the jazz-guitar virtuoso released his first studio recording in more than a decade. In a session on Jazz24, Jordan talks about his musical and personal evolution over the past 10 years, as well as his ongoing study of music's role in the healing process.
  • The Monterey Jazz Festival celebrates 50 years of great music this weekend. Musician David Was reflects on the festival and reviews a new set of archival Monterey CDs featuring Thelonious Monk, Miles Davis and Dizzy Gillespie.
  • Fresh Air's rock critic reviews The Con, the fifth album from Canadian twins Tegan and Sara Quin. Their music has been heard in a number of American TV shows, including Grey's Anatomy, The L Word and Medium.
  • In the 1950s, New York's Hickory House was known for its sizzling steaks and a swinging jazz trio led by a young female pianist with a British accent and a God-given touch. McPartland, along with bassist Joe Morello and drummer Bill Crow, held court at the Hickory House for more than a decade.
  • The legendary jazz trumpeter and composer premiered the seven-part Monterey Moods suite at the Monterey Jazz Festival. Hear his celebratory exploration of all the various forms of jazz that have come through Monterey in its 50 years.
  • "You Can't Fail Me Now" began life on Loudon Wainwright III's new album, but co-writer and producer Joe Henry reworks it on his own new album. Formerly a slow, hookless strings-and-guitar ballad, it's now more sparse, more morose and even lovelier.
  • Some songs rely more on the ferocity of the person singing it than the song itself. On "I'm Gonna Change My Ways," Peter Case testifies with the conviction of a true believer and howls with the intensity of a recent convert.
  • Saxophonist Frank Morgan led a life compelling enough for the big screen. A protege of Charlie Parker, Morgan took a dark turn that led to drugs, prison and, ultimately, redemption through music.
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