Search results for

Two artists in prime musical condition, in terms of both careers and chops, play outdoors and back to back at the J&R Music Festival in New York. This program is dedicated to Lovano's longtime friend and bandmate, Dennis Irwin, who died earlier this year.

Pianist Bill Evans was a giant of jazz piano and one of Marian McPartland's first guests on Piano Jazz in 1979. On this program, the usually quiet and reserved musical genius opens up about his approach and philosophy.

The epic "Little Bird" demonstrates Jazzanova's artistic maturation as it envelops the phenomenal Brooklyn-based jazz singer Jose James in an orchestral wash of strings, acoustic guitar, stand-up bass, piano, glockenspiel and inconspicuous drum programming.

Saxophonist and bandleader Paul Winter has created his own unique style of environmentally conscious music. The natural world is not only an inspiration, but it has also been a collaborator in his music. Winter talks about playing with humpback whales, as well as his legendary recording expeditions to the Grand Canyon.

Fifty-five years ago, a young jazz presenter named George Wein discovered that the people sailing yachts around Narragansett Bay loved jazz. With their support, Wein founded the Newport Jazz Festival, the first of its kind, and it's still going strong. Here's a highlight of this year's festival, from Herbie Hancock and Dave Holland.

Gershwin placed his song "Summertime" at the beginning of his opera Porgy and Bess, and for good reason. Pianist and composer Rob Kapilow demonstrates how, in just a few measures, Gershwin transports the listener into the languid world of Catfish Row.

In careers spanning many decades, Hugh Masekela and Ladysmith Black Mambazo have carried the music of South Africa around the world, and played critical roles in the international movement to end apartheid. Fifteen years after the climax of that historic struggle, both still tour.

The Bright Eyes singer made Conor Oberst on an impulse while visiting the mystical mountain town of Tepoztlan in Mexico earlier this year. The approach is straight folk-rock, but it's less simple than it seems at first. But it also sounds like the next installment in the Bright Eyes catalog.

In a program from 1987, Hancock solos on "Dolphin Dance" and then improvises with Marian McPartland.

Since it opened in 1989 overlooking the Boston skyline and the Charles River, Sculler's Jazz Club has been home to top-rated and up-and-coming artists. JazzSet reprises sets from two remarkable women who are bright sparks for the future of jazz: Kate McGarry and Esperanza Spalding.