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Composer Henry Mancini penned some of the most memorable tunes of the modern era, including the Pink Panther theme. On this episode of Piano Jazz from 1985, Mancini talks about his muse (the movie screen) and performs several favorites, including "Days of Wine and Roses."

The third album from the William Parker Quartet is named Petit Oiseau, after a character in a poem written by Parker. Jazz critic Kevin Whitehead assesses whether the album — whose French title translates to "Little Bird" — takes flight.

On New Year's Eve in New Orleans, the Evan Christopher/Tom McDermott Danza Quartet held sway with a set of music that was anything but picayune. With a sousaphone-toting bassist and a tambourine-banging drummer, the quartet made the show an affair to remember.

Her father was Louis Armstrong's musical director in the 1930s. Her mother still plays the bass. So it's no surprise that Russell has chops. She sings a set of bluesy numbers and standards for Mountain Stage.

Her birthday concert continues with more one-of-a-kind performances, featuring Wynton Marsalis.

Canadian producer, singer and songwriter Koushik is 100 percent do-it-yourself. His wildly diverse sound stretches across psychedelia, pop, soul and hip-hop. He talks about his new album Out My Window, being a math nerd and keeping his head clear.

After releasing her debut album, 19, to critical acclaim earlier this year, British artist Adele was dubbed the next Amy Winehouse by the British press. The young singer-songwriter talks about her record and her new-found fame.

Fight the Big Bull sounds like the brainchild of a young composer who grew up with rock on the radio, jazz canons in the conservatory and everything else at his disposal on the Internet. The orchestration of "Dying Will Be Easy" has the fullness and audacity of a Mingus or Ellington.

Featuring Stanley Clarke, Marcus Miller and Victor Wooten, the electrifying S.M.V. blows aways audiences with their new project, which spans three generations of bass styles. In addition to a session by S.M.V., there is a bonus set with just Victor Wooten.

Souza is grace personified. The vocalist evokes her native Brazil in new bossa novas and her own interpretations of North American classics at the Kennedy Center Family Theater.