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Since 2000, Dianne Reeves has won four Grammy's for Best Jazz Vocal Album, and that's record-setting in itself. So it is with the deepest respect and highest anticipation that Dee Dee Bridgewater introduces Dianne Reeves, at the 2006 Monterey Jazz Festival on JazzSet.

Near the end of Miles Davis' career, he gave young Wallace Roney the gift of a trumpet. That blue horn — yes, silvery blue — has engaged in a lot of serious music-making, first with Davis and now with Roney as a solo act. Hear a concert performance captured by JazzSet.

In his new autobiography, Eric Clapton tells the story of his professional rise and his personal battles with substance abuse. In the first of a two-part interview, Clapton remembers the blues greats that influenced him as a young guitarist.

A gifted arranger and composer whose originals include "C.T.A." and "Gingerbread Boy," Heath has written charts for Chet Baker and Art Blakey. Heath cut his teeth in big bands with Dizzy Gillespie and Howard McGhee, and in this concert from the Blue Note, he's got his own.

This rendition of "Ida Lupino," recorded in 1965 and included on the Paul Bley Trio's newly reissued Closer, succeeds with an elegiac recurring motif, overtones of folk and the blues, rapturous glissandos, and an expert grasp of volume dynamics.

For the Perry siblings of Tupelo, Miss. — ages 9, 14 and 16 — making music involves making unique instruments from car parts. The young family band with astonishingly mature blues chops demonstrates its craft in NPR's Studio 4A.

Country music legend Willie Nelson and jazz trumpeter Wynton Marsalis discover common ground and a mutual love of jazz standards and the blues on their album Two Men With The Blues. Here, the artists discuss their first-ever collaboration.

Edwards is one of the last men who knew the iconic bluesman Robert Johnson.

Most know her as an actress, from her work in projects such as Almost Famous and Weeds. Now, with M. Ward, she's part of the musical duo She & Him. Their debut album came out in March 2008.

More than anything Malkmus has done, Real Emotional Trash engages in the sort of shape-shifting that marked Bob Dylan's career. He wears a different mask on virtually every song, and it certainly helps that the band is his strongest post-Pavement outfit yet.