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  • Metropolitan Opera violinist Patmore Lewis hopes classical music and world beats will lend a hand to spread the word about river conservation. The renowned composer has released a new CD, Rillito River Project, to draw attention to the environment through pop and innovation. Lewis talks about his solo project and how he's hoping to make an impact.
  • For Speak Low, blue-eyed-soul legend Boz Scaggs had a sound in mind long before recording his interpretation of jazz standards. But the concept was blurry until he pinpointed the instrumentation: a combination of strings, horns and vibes.
  • It's been a remarkable year for jazz, and narrowing down a Top 10 list for 2008 takes a bit of work. Once again, there's room for enthusiasm and optimism about the state of jazz and its ability to inspire musicians and listeners alike. Here's a look (and a listen) back at some of the year's highlights.
  • In the constant race to find the next cure for jazz (hint: it ain't broken), Aaron Parks seems perfectly content to set his own pace. The 24 year-old pianist discovered music intuitively. In a session from WBGO, Parks plays a mix of jazz and rock that's ultimately neither of those things.
  • In the late 1990s, JazzSet made two visits to the Mt. Hood Jazz Festival in Gresham, Ore. Music started before noon, and as the sun burned the haze away, the snow-capped peak shimmered on the skyline, helping to inspire memorable performances by the Billy Childs Trio and the John Blake Quintet.
  • The Latin percussionist's classic 1972 album captures one of the greatest musicians of the 20th century at his peak. Bobby Sanabria, himself an award-winning bandleader, discusses the music and career of "El Rey del Timbal," Tito Puente.
  • Covering music from Marian Anderson to ZZ Top, 1,000 Recordings to Hear Before You Die: A Listener's Life List covers all genres in its more than 900 pages. It's driven by the notion that "the more you love music, the more music you love." Author Tom Moon submits his picks for the best summer recordings.
  • Ever since his 1958 live album from Chicago's Pershing Lounge, Ahmad Jamal has been recognized as a major force in jazz. In this program from 1985, Jamal reprises two signature pieces from that session in duets with Marian McPartland: "Poinciana" and "But Not for Me."
  • The new CD, One Ounce of Truth, puts the vivid words of poet and writer Nikki Giovanni to music, using a wide range of musical styles like bossa nova, jazz and soul. NPR's Tony Cox talks with Giovanni and singer Capathia Jenkins about the project.
  • "Nemesis" is less about being jazz or rock than it is about providing a sonic environment. Pianist Aaron Parks adds some contrasting touches: A mellotron and glockenspiel combine with piano and keyboards to create his own episodic drama. Coming from an album with the appropriate title Invisible Cinema, this is soundtrack music for a movie waiting to be filmed.
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