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We’re taking a look at two versions of the Orpheus legend that were written about 100 years but stylistically lightyears apart on this week’s Sunday Opera (4/27 3:00 p.m.) with Franz Joseph Haydn’s “L’anima del filosofo ossia Orfeo ed Euridice” and Jacque Offenbach’s “Orpheus in the Underworld.”
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Many don’t realize that Franz Joseph Haydn wrote operas because they all seemed to disappear when he died. However, on this week’s Sunday Opera (4/4 3:00 p.m.), we’ll hear one of them, number 11 of 13, in a lovely recording from 2009. “La fedleta premiata” (“Fidelity Rewarded”) was first performed in Hungary in 1781 to celebrating the reopening of the Eszterhaza theatre after it was destroyed by fire. The cast was reduced and most of the low comedy removed, and its new version was performed in 1782. It was a miracle of its day having been written for a “state-of-the-art” theatre that had the latest innovations in stage machinery which it fully used.
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This week's program is about two tricksters. The first is from Haydn's forgotten 1777 comedy "The World on the Moon," and the second is the ballet by Sibelius about Scaramouche which has a tragic ending.
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It’s a perfect April Fool’s on this week’s Sunday Opera (4/1 3:00 p.m.) when we turn to Franz Josef Haydn and his farce “Il Mondo Della Luna.” Based on a…