Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
Now more than ever, please make your gift of support today to keep this public radio network an important community resource for music and informational programming. Thank you!

'Music from Paradise' From PostClassical

PostClassical, The Classical Network's bi-monthly presentation of concert broadcasts of Washington DC-based PostClassical Ensemble, brings you "Music in Paradise" this Friday night (4/5 at 8 pm), looking at the influence of Balinese and Javanese gamelan music on Western composers. Enjoy excerpts from a concert given by PostClassical at the National Cathedral in a program including works by Colin McPhee and Lou Harrison.

Gamelan and Harrison scholar Bill Alves will join the series' regular co-hosts - Angel Gil-Ordonez, PostClassical Music Director; ensemble co-founder and music historian Joseph Horowitz; and Bill McGlaughin, host of Exploring Music.

BONUS Music- More music of  Lou Harrison included only in this webcast.

LISTENING GUIDE
PART ONE:
00:00 – Javanese gamelan; Debussy: “Pagodas” (Wan-Chi Su)
12:02 – Bill Alves on the Hindu roots of Balinese gamelan
14:05 – Balinese gamelan
18:50 – Introducing Colin McPhee
21:07 – McPhee: Two Ceremonial Dances (Benjamin Pasternack and Wan-Chi Su)
33:42 – McPhee: Nocturne for chamber orchestra (Dennis Russell Davis conducts Brooklyn Philharmonic)
44:53 – Messiaen: “Visions de L’amen,” movement one (Benjamin Pasternack and Wan-Chi Su)
52:22 – Alves: “Black Toccata” (Benjamin Pasternack and Wan-Chi Su)

part2web_bowo.mp3
Part 2

PART TWO:
00:00 – “Stampede” from Lou Harrison’s Piano Concerto (excerpt – Pasternack and PCE)
17:41 – Harrison Piano Concerto, movement one (Pasternack and PCE conducted by Gil-Ordonez)
33:28 – Harrison Piano Concerto, movement two (Pasternack/PCE)
45:04 – Harrison Piano Concerto, movements three and four (Pasternack/PCE)
1:00:24 – Harrison Suite (excerpts—Wan-Chi Su, Netanel Draiblate/PCE/Gil-Ordonez)
1:07:14 – Statement by Indonesian Ambassador Budi Bowoleksono

William McGlaughlin’s introduction to music came late; he was fourteen before he took his first piano lessons. "Happily, I understood immediately what a wonderful thing I’d stumbled into. I can remember thinking as I walked away from my second piano lesson — "Well, that’s it. I’ll be a musician. Of course, I had no idea what that decision meant exactly."