At a time when most people’s knowledge of Handel’s large-scale vocal works began and ended with “Messiah,” Sir Thomas Beecham was dipping into the operas and polishing up the oratorios for the delectation of a new age. He defended these curations and modifications, stating that “without some effort along these lines, the greater portion of [Handel’s] magnificent output will remain unplayed, possibly to the satisfaction of drowsy armchair purists....” Experience the vitality of Beecham’s beautiful Handel realizations, this Sunday at 10 pm.
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The Lost Chord: April 14 - Handeling Beecham
