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  • Ed Ward reviews Goodbye, Babylon, a six-CD anthology that culls strange, rare and fiery finds of American gospel and other religious music from the early 20th century. The box set is produced by maverick label Dust-to-Digital.
  • NPR's Tony Cox talks with organ master Dr. Lonnie Smith about art of the Hammond B3, his extensive music career and his latest CD, Too Damn Hot.
  • For generations, New York's Village Vanguard has been at the center of American jazz. Ashley Kahn reports on the celebration marking the 70th anniversary of the legendary club.
  • The music of M.I.A, a young hip-hop artist who grew up in Sri Lanka and South London, bridges the gap between her war-torn past and her urban present. Day to Day music critic Christian Bordal reviews her CD, Arular.
  • Fenton Bailey and Randy Barbato are the team behind Inside Deep Throat, a documentary about the 1972 porn classic Deep Throat. We talk with them about their movie -- and the original.
  • Gunner Palace is a documentary about U.S. troops in Iraq. It shows a life of tedium and anxiety. For relief, many soldiers turn to music.
  • Companies of actors doing plays in a rotation, with a different show every night, is a dream for many in the regional theater movement. Few troupes can afford it, but the ones that do can reap big benefits.
  • At 22, artist Sunny Taylor has already won an international art residency and had her work displayed in the Smithsonian Institution. Because of a disability, the self-taught artist -- who's drawn comparisons to the 16th-century master Caravaggio -- paints with her mouth and toes.
  • Before the advent of U.S. regional theaters, there were virtually no women producers, no women theater owners and very few women playwrights or directors -- but that's slowly changed over the years.
  • Moses Asch spent years collecting and compiling the world's sounds. Working through a number of small record labels including Folkways Recordings, Asch explored a world of sound -- not just music, but birds, bugs and machines. Asch died in 1986. But now the Smithsonian has put his entire collection of sounds on the Web.
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