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Each week, guests and hosts on NPR's Pop Culture Happy Hour share what's bringing them joy. This week: TikTok Pride and Prejudice, K-pop star G-Dragon, a Disney cover album, and Astro Bot on the PS5.

Teju Cole's latest book describes a young New York doctor's visit back to his Nigerian hometown, where he encounters a Clockwork Orange world of misery and corruption.

The film The Room revolves around a steamy love triangle filled with lies, betrayal and tragic consequences. But the real draw for audiences is interacting with a cult hit some watch over and over again.

Stuart Murdoch is the front man for the Scottish indie-pop band Belle and Sebastian. For the group's new CD, The Life Pursuit, they've broken two long-standing traditions: making quietly precious music, and refusing to embrace the media.

In the latest edition of the series "What Are You Listening To?" political science professor Waleed Hazbun of Baltimore dips into a collection of music that his wife calls "Soulful World Mix" — sounds that cross genres and borders. NPR's Jennifer Ludden listens along.

Nellie McKay is a singer-songwriter known for her distinctive mix of jazz vocals and torch singing with cabaret pop, rock and a rap-inspired rants. Hear McKay in a full concert recorded live from Alexandria, VA.

Many of the foods and flavors we think of as classically African-American — like watermelon, black-eyed peas and okra — actually come from Africa. Cookbook author Jessica Harris traces that journey in her new book.

Steve Jobs wore the Birkenstocks during the early days of Apple in the 1970s and '80s. It's a record price for a pair of sandals.

Paradise Now, a new film by Palestinian director Hany Abu-Assad, looks at the lives of two young suicide bombers. Howie Movshovitz of Colorado Public Radioreports.

The U.K. progressive rock band Yes is celebrating 35 years together. Members have come and gone and come again, but the band has a signature sound, full of time changes, electronic keyboards and a tight mix of guitar bass and drums. Music writer Tom Terrell says the white band from Britain had a strange attraction for black kids — like him — from New Jersey.