Search results for

There's been record TV production this year - so why were so many categories dominated by performers from a handful of shows?

The audiobook is here to stay — in one form or another. And that's fine with author Neil Gaiman, who has loved hearing stories since his childhood days. Gaiman talks to writer David Sedaris and reader Martin Jarvis about what makes a great audiobook — and a great reader.

Tur's parents ran a helicopter news service in LA in the '80s and '90s. While she loved the rush of flight, her family dynamic was a volatile one. Her memoir is Rough Draft.

Evil, which premiered on CBS in 2019, has shifted over to the Paramount+ streaming service, where it's taken full advantage of its relocation. The latest season keeps increasing in intensity.

Sidelined by the pandemic, the Dakar Biennale is back. The theme of this year's festival is "Ĩ Ndaffa" — meaning "out of the fire," as artists forge bold visions of the world.

In 1970, Stephen Sondheim's comic musical Company broke most of the conventions of American musical theater. Now, a newly restored documentary goes inside the making of the original cast album.

NPR's annual list of the year's best albums is full of work by musicians who hit career peaks, discovered their voices or willed something new into reality.

During the height of pandemic closures, three artistic directors spoke about their hopes for what theater would look like when it reopened. More than a year later, we check in to see what's changed.

It's not that there are too many bad shows. It's that there are too many perfectly fine ones. That has implications for jobs in Hollywood.

Gaslit tells the story of Watergate, focusing on Martha Mitchell, the outspoken wife President Nixon's attorney general. The Offer focuses on the making of the first Godfather movie.