Although Leonard Bernstein’s concert suite for “On the Waterfront” is fairly well known, the original cues as they appeared in the film were long believed to be lost. But the audio was preserved on acetate discs used for playback during the film’s recording sessions. We’ll hear some of it, alongside Aaron Copland’s original recordings for “The Red Pony,” dances from Virgil Thomson’s “Louisiana Story” – so far, the only film score to be awarded the Pulitzer Prize for Music – and Elie Siegmeister’s “They Came to Cordura,” which provides the now-familiar signature tune for “Picture Perfect.”
What's ahead on The Classical Network? Catch some of these great programs coming your way. Information on evening concert broadcasts of the New York Philharmonic, Chicago Symphony Orchestra and other nationally broadcast performances can be found on our home page.
Picture Perfect: August 24 - New York Composers Go to Hollywood
