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  • The latest novel from Sigrid Nunez, The Last of Her Kind, tracks a woman's life from her college days in the late 1960s to the present. As she describes her own life, the narrator, Georgette, also details the legacy of fierce idealism — and violence.
  • In his new book The Elements of Murder: A History of Poison, chemist John Emsley chronicles cases of accidental and intentional use of lethal substances throughout the ages. Some say Beethoven and Mozart were poisoned to death.
  • Alan Cheuse reviews No Country for Old Men, by Cormac McCarthy. The novel opens up the world of a murderous sociopath in the desert straddling the Texas-Mexico border.
  • Karen Grigsby Bates usually has a big stack of books to enjoy over the summer months. She shares four selections covering the gamut: from history to memoirs to children's books to cookbooks.
  • Book critic Alan Cheuse reviews Marjorie Kowalski Cole's debut novel, Correcting the Landscape. The story takes place in Fairbanks, Alaska, three years after the Exxon Valdez disaster and presents a public interest story intertwined with a love story.
  • Netflix is suing Abigail Barlow and Emily Bear, who wrote the Grammy-winning Unofficial Bridgerton Musical, for infringement of intellectual property rights of the streaming service's hit show.
  • Kiran Desai is the daughter of well-known novelist Anita Desai. But she is quickly making a name for herself. Alan Cheuse reviews Desai's latest novel, The Inheritance of Loss, a novel that takes place in both New York City and northeastern India.
  • Book critic Maureen Corrigan reviews the new memoir The Tender Bar by Los Angeles Times reporter J.R. Moehringer. It tells the tale of his dysfunctional family on Long Island — and the community's center, the local bar.
  • Alan Cheuse reviews A Thousand Years of Good Prayers by Chinese emigre Yiyun Li. It's a collection of stories about life in modern China and the United States.
  • Author John Updike's new book,Still Looking, collects many of his essays on American art. Susan Stamberg recently talked to Updike about the book and his relationship with art.
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