Jazz News

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

For Jazzmeia Horn, this concert defined a moment. This was The Appel Room at Jazz at Lincoln Center, after all, one of the most prestigious stages in the America jazz circuit. "Not a lot of people get that opportunity," she reflected, not only to show up for herself and her art, but to act as a good steward of jazz music, an African American art form and legacy by which the idioms of today's industry, according to Horn, don't always reflect the culture of a specific people.

Fabiano Do Nascimento: Tiny Desk (Home) Concert

Jul 2, 2020

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Freddy Cole, whose debonair yet unassuming vocal style lighted his way through a distinguished jazz career in and out of the shadow of his older brother, Nat King Cole, died on Saturday, June 27, at his home in Atlanta, Ga. He was 88.

His manager, Suzi Reynolds, did not specify a cause of death but said he had been suffering of late from cardiovascular issues.

The summer of 1968 looked like the summer of 2020. Americans were in the streets protesting racism, among other things. And a high school student in Palo Alto, Calif., got in on the action by enlisting the help of a jazz legend. Danny Scher came up with the idea to book Thelonious Monk to play his school's auditorium and now, a professional recording of this concert will be released publicly for the first time on July 31. The album is called Palo Alto.

Jimmy Heath made one of his first appearances on record as a member of Dizzy Gillespie's band, late in 1949. Released on Capitol under the title Dizzy Gillespie And His Orchestra, it featured Heath on alto saxophone alongside his fellow Philadelphian, an up-and-comer named John Coltrane.

Jazz musicians have always faced systems of discrimination in America. One insidious example was the cabaret card, a form of identification required for any musician to work in a New York nightclub from 1940 to 1967. The New York Police Department administered these licenses and revoked them for any minor infraction. As a result, some of the biggest names in the music at the time, like Billie Holiday and Charlie Parker, lost their right to work at a crucial points in their careers.

If you saw the first Heat Check Live on NPR Music's Instagram this past weekend, you rocked with us for a live DJ set of all your favorite new songs. Afterward, New York-based artist Linda Diaz, whose work has been featured on Heat Check before, reminded us why we create spaces for the playlist to exist: "Community is invaluable. Black joy is radical," she wrote.

Jon Batiste spent his 33rd birthday playing an intimate, private concert with his band in the round while Jazz Night in America captured the show. He kept it classy, donning a suede jacket and playing selections from his two latest Verve releases, Chronology of A Dream and Anatomy of Angels.

Jimmy Cobb, whose subtle and steady drumming formed the pulse of some of jazz's most beloved recordings, died at his home in Manhattan on Sunday. He was 91.

The cause was lung cancer, says his wife, Eleana Tee Cobb.

Cobb was the last surviving member of what's often called Miles Davis' First Great Sextet. He held that title for almost three decades, serving as a conduit for many generations of jazz fans into the band that recorded the music's most iconic and enduring album, Kind of Blue.

From Lionel Hampton to Milt Jackson, to Bobby Hutcherson and beyond, every jazz generation has had its swinging heroes on the vibraphone. Since around the turn of the century, we've had a leading light in Stefon Harris.

Before the lockdown, harpist Brandee Younger and double bassist Dezron Douglas were constantly on the road, usually spending time apart as they toured with artists such as Makaya McCraven and Enrico Rava. This quarantine has allowed these college sweethearts to shine radiantly together as a duo.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Ambrose Akinmusire was in the eighth grade, a budding trumpeter in Oakland, Calif., when he made his first excursion to a jazz club. Through a radio contest, he'd won tickets to the local mainstay, Yoshi's, unaware of the creative portal he was opening.

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.

Jazz and the visual arts have always enjoyed a mutually beneficial relationship. Last year the Jazz at Lincoln Center Orchestra with Wynton Marsalis put that bond front and center with an ambitious original program called Portraits of America: A Jazz Story.

In this crazy quarantine moment, we're all frozen in place. Many of us are spending more time with our families and significant others than ever before. That goes double for musician couples, who regularly spend months apart from one another on tour — and some cases, those duos are connecting in ways they never anticipated. Jazz Night in America is providing an inner window into some of these creative partnerships with a new series: Alone Together Duets.

Jon Batiste came to the Tiny Desk with some surprises back in November of 2019. Midway through his set, he stopped to say, "it's the first time we're ever playing these songs, and it's the first time we're playing together." The New Orleans musician came to the Tiny Desk not with his late-night house band, but with an all-new cast. His all-female collaborators — Endea Owens on acoustic bass, Negah Santos on percussion, Sarah Thawer on drums, and Celisse Henderson on guitar and vocals — were an inspiration.

Tom Misch and Yussef Dayes, whose new album What Kinda Music was released on Friday, are two "very different musicians," in the words of the latter. Dayes is a jazz drummer with a flair for the experimental, and Misch is a producer and guitarist whose dreamy R&B melodies pushed his 2018 debut Geography to be certified silver in the U.K.

On this episode of Jazz Night in America, we check out a concert from the archives that I just had to take a listen to. It features one of the greatest pianists ever, Monty Alexander, and my mentor and hero, the late bassist Ray Brown.

In this time of social distancing, hunkering down and chatting remotely, we might learn some new things about each other. For example, you might know Marin Alsop as the longtime music director of the Baltimore Symphony Orchestra, one of the leading figures in classical music around the world and a frequent guest on Weekend Edition. But you might not know that back in the 1980s, she also led a swing band.

Andy González, a New York bassist who both explored and bridged the worlds of Latin music and jazz, has died. The 69-year-old musician died in New York on Thursday night, from complications of a pre-existing illness, according to family members.

Born and bred in the Bronx, Andy González epitomized the fiercely independent Nuyorican attitude through his music — with one foot in Puerto Rican tradition and the other in the cutting-edge jazz of his native New York.

Kandace Springs' third record is a source of familiarity in uncertain times. Titled The Women Who Raised me, it's full of beloved and recognizable songs associated with jazz artists who inspired and influenced Springs as an artist: Nina Simone, Billie Holiday, Lauryn Hill and Norah Jones, among many others. But the album is not only a tribute to some of those legends, it's also a showcase of Springs' talent for reinterpreting and seamlessly blending genres.

A few weeks ago, as the city of New Orleans was preparing to institute a stay-at-home order due to the coronavirus, Nicholas Payton got to work.

Wallace Roney, a trumpeter and composer who embodied the pugnacious, harmonically restive side of post-bop throughout an illustrious four-decade career, died this morning at St. Joseph's University Medical Center in Paterson, N.J. He was 59.

The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.

Wallace Roney, a trumpeter and composer who embodied the pugnacious, harmonically restive side of post-bop throughout an illustrious four-decade career, died this morning at St. Joseph's University Medical Center in Paterson, N.J. He was 59.

The cause was complications from COVID-19, according to his fiancée, Dawn Felice Jones. She said Roney had been admitted to the hospital last Wednesday.

The crowd at Clement's Place is primed. The acclaimed vibraphonist Stefon Harris and his band, Blackout, are onstage in this snug jazz club on the campus of Rutgers University in Newark, N.J. Harris has high ambitions. He seeks to use his instrument and his already considerable reputation to change the way people relate to each other — to create empathy. But on this night, he's also there to play.

Late last summer, saxophonist Joshua Redman engaged in some light time travel: For a couple of nights, he reconvened a stellar ensemble he'd led 25 years prior, with Brad Mehldau on piano, Christian McBride on bass and Brian Blade on drums.

Hometown: London, England

Genre: Jazz

"I think a part of growth in general is being comfortable in your own skin," Linda May Han Oh says, "and being comfortable with really who you are."

What that means in her case is manifold: A jazz bassist of undeniable authority, with the working affiliations to show for it; a Malaysia-born, Australia-raised resident of Harlem, N.Y.; a composer-orchestrator of burgeoning stature; an artist working to change perceptions of "women in jazz," both through positive action and just by being her bad self.

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